A surreal music video prompt of a street violinist whose cracked violin breaks into glowing floating shards on a rainy night, made with Kling 4.0.
This is a free AI prompt from Wizstar's Kling 4.0 prompt library. Explore more video prompts, all free to copy and adapt.
Explore more video promptsanime concert scene with massive crowd and glowing lights, performer singing as stage visuals begin to glitch and distort reality, background collapsing into abstract colors and shapes, camera spinning around performer as she continues unaffected, final shot crowd dissolving into particles of light while she stands alone, atmosphere vibrant, surreal, camera dynamic rotation
GLOBAL: Real live concert footage filmed outdoors at an open-air stadium at night. Shot by a live TV broadcast crew on broadcast cameras with long zoom lenses. Natural, imperfect live look: 24 fps with natural motion blur, light digital grain and noise in the shadows, slightly crushed blacks, stage lights blooming and flaring, exposure shifting as the lights flash, occasional quick focus corrections, slight handheld shake. Stage lights are the only light source; haze drifts in the night wind and the wind moves the singer's hair. THE SINGER IS THE FOCUS: Nova <Character reference>; she sings into a silver wireless handheld microphone always in her right hand (no headset). She just performs the song like at a real concert: singing with emotion, natural movement, free-hand gestures, connecting with the crowd; she does not act out the lyrics. THE BAND IS NEVER SHOWN: they play from a dark riser far upstage, hidden in haze and backlight. VENUE: sold-out stadium, 60,000 fans; wide main stage with a huge LED screen showing abstract graphics, a runway into the crowd ending in a small round B-stage, photo pit and barricade; moving-head beams in magenta, teal and warm amber. CROWD: always moving with the music, never still: jumping, swaying, waving raised arms side to side, clapping on the beat, singing along, phones and lights held up and waving; packed tight at the barricade. EDIT: cut like a live concert broadcast between fixed camera positions (front-of-house long lens, photo-pit handheld, stage-side handheld, crane over the crowd, cable-cam, wide from the back of the stadium); operators zoom and reframe live, no cinematic camera tricks. SYNC: 98 BPM, one bar = 2.45 s; hard cuts only at the shot times below; her mouth follows the lyric timing exactly and stays closed in the gaps.CLIP 1 of 10 — INTRO + VERSE 1 — 28.7 seconds. A soft pulsing synth intro, then an intimate verse. She is at the front of the main stage in low, cool blue and magenta light.VOCAL TIMING (lip-sync):0.0–8.0s instrumental, no singing8.0–14.5s "I brought a list of reasons I was running late"14.8–19.4s "Then lost the list somewhere beside the gate"19.6–23.8s "You said, 'You always make an entrance somehow'"23.9–28.6s "I said, 'I'm working on the exit now'"SHOTS:0.0–5.2s SHOT 1 — High wide from the back of the stadium: a dark stage with slow neon graphics on the LED screen and beams cutting through the haze; the crowd sways and waves arms and phones side to side; the singer stands small and alone at the front of the stage in a white spotlight.5.2–10.1s SHOT 2 — Front-of-house long lens, medium shot: she sways gently to the synth pulse, lifts the mic and begins singing at 8.0s.10.1–15.0s SHOT 3 — Front-of-house long lens, close-up, with crowd hands moving in the soft foreground blur: she sings with her eyes half-closed.15.0–19.9s SHOT 4 — Photo-pit handheld, low angle looking up at her: she sings while front-row arms sway through the bottom of the frame.19.9–24.8s SHOT 5 — Handheld from the barricade looking back over the crowd: fans sing along, sway, and wave arms and phones side to side; her voice continues off-screen.24.8–28.7s SHOT 6 — Front-of-house long lens close-up with a slow live zoom-in: she sings with a small smile as the lights start to warm toward amber. GLOBAL: Real live concert footage filmed outdoors at an open-air stadium at night. Shot by a live TV broadcast crew on broadcast cameras with long zoom lenses. Natural, imperfect live look: 24 fps with natural motion blur, light digital grain and noise in the shadows, slightly crushed blacks, stage lights blooming and flaring, exposure shifting as the lights flash, occasional quick focus corrections, slight handheld shake. Stage lights are the only light source; haze drifts in the night wind and the wind moves the singer's hair. THE SINGER IS THE FOCUS: Nova <Character reference>; she sings into a silver wireless handheld microphone always in her right hand (no headset). She just performs the song like at a real concert: singing with emotion, natural movement, free-hand gestures, connecting with the crowd; she does not act out the lyrics. THE BAND IS NEVER SHOWN: they play from a dark riser far upstage, hidden in haze and backlight. VENUE: sold-out stadium, 60,000 fans; wide main stage with a huge LED screen showing abstract graphics, a runway into the crowd ending in a small round B-stage, photo pit and barricade; moving-head beams in magenta, teal and warm amber. CROWD: always moving with the music, never still: jumping, swaying, waving raised arms side to side, clapping on the beat, singing along, phones and lights held up and waving; packed tight at the barricade. EDIT: cut like a live concert broadcast between fixed camera positions (front-of-house long lens, photo-pit handheld, stage-side handheld, crane over the crowd, cable-cam, wide from the back of the stadium); operators zoom and reframe live, no cinematic camera tricks. SYNC: 98 BPM, one bar = 2.45 s; hard cuts only at the shot times below; her mouth follows the lyric timing exactly and stays closed in the gaps.CLIP 2 of 10 — PRE-CHORUS 1 — 12.4 seconds. The build: the kick drum enters and the lights warm up, ending in a drum fill and a crowd roar. She stays at the front of the main stage.VOCAL TIMING (lip-sync):0.0–0.9s breath, no singing0.9–3.0s "I can turn a simple sorry"3.0–5.8s "Into three acts and a bow"5.9–8.4s "But you're looking at me kindly"8.5–11.6s "So I'll try the honest version now"11.6–12.4s drum fill and crowd cheer, no singingSHOTS:0.0–3.5s SHOT 1 — Stage-side handheld from a three-quarter front angle, with the crowd behind her: she sings as she walks slowly toward the stage edge.3.5–5.9s SHOT 2 — Wide from the back of the stadium: amber beams sweep up on the beats and the crowd starts to bounce, arms going up.5.9–8.3s SHOT 3 — Front-of-house long lens close-up: she sings straight out to the crowd.8.3–10.8s SHOT 4 — Photo-pit handheld, low angle, with a live zoom-in: she sings with feeling, her free hand open.10.8–12.4s SHOT 5 — Crane moving over the crowd toward the stage: on the drum fill the lights ramp up to white and the crowd cheers and jumps with arms raised, while she lifts her free arm.
20-second photorealistic live-action underground club.@image1me enters a wild, crowded crimson-lit underground nightclub after her breakup. Handsome, cute Chinese-drama-style male dancers in their 20s, all with different faces, wear edgy leather club fashion, fitted white shirts, right-arm leather belts, bold accessories, and some exotic masks. Everyone dances naturally and wildly inside the crowd—freestyle, spontaneous, candid, no stage or choreography. @image1me suddenly does a clearly visible fast SALTO, lands smoothly, then performs a FRONT SPLIT facing the camera with one leg extended forward. The crowd cheers and she immediately returns to dancing. Dialogue: “You came alone?” “Just got rid of my ex.” “Then forget him tonight.” “Gladly.” Emotional female-vocal intro → heavy underground bass beat. Raw handheld camera, moving through the crowd, whip-pans, push-ins, close-ups, motion blur, realistic focus shifts and crimson strobes. Photorealistic, chaotic, immersive, authentic nightlife. NEVER static, runway, or studio.
Ruth (image1) dancing to the music in (video1).
GLOBAL CONTINUITY: Preserve the exact approved baby-kitten identities, round compact bodies, very short limbs, costumes and instruments. Maintain the same physically believable coastal abbey, materials and lighting continuity. Real feline paws, stable instrument geometry and readable playing contact.CAST BY SECTION: 00:00–00:15: Cat only. 00:15–00:23: Guinness, Oly, Dina and Mia only. 00:23–00:30: Goliath only. Never add background kittens, duplicate characters or transfer features between performers.00:00–00:05 — RHYTHMIC VIOLIN OPENING Start directly on the close-up in F01. Vilon cat plays brisk, clearly separated short bow strokes with precise direction changes. The left paw makes small quick position adjustments. Lively natural-speed performance from the first instant. Keep the bow in believable contact with the strings. Subtle camera slide only.00:05–00:10 — VIOLIN ACCELERATION Hard cut to F02. His short alternating bow strokes grow progressively quicker and more flowing. Compact forearm movement, subtle rhythmic body shifts, feet firmly planted. Slowly push the camera closer while keeping the full performance readable. The acceleration comes from his playing, not sped-up footage.00:10–00:15 — LONG VIOLIN NOTES Hard cut to F03. The rapid phrase resolves into long sustained notes. Short bow strokes become broad, smooth movements with gentle direction changes. His body settles and eyes close softly. Hold the emotional concentration with a restrained camera approach.00:15–00:15.8 — SHORT TAMBOURINE FLOURISH Hard cut to F04. Oly delivers one very brief cluster of rapid, evenly spaced taps on the tambourine. Crisp paw contact and immediate rebound, with the metal jingles trembling. End this insert after 0.8 seconds. Do not repeat or prolong it.00:15.8–00:17.5 — CHOIR DETAIL Hard cut to F05. Dina and Mia breathe gently and sustain a soft rounded wordless vowel. Tiny movements of whiskers, cheek fur and pendants. A delicate lateral camera slide maintains the intimate framing. No additional faces enter.00:17.5–00:23 — GUINNESS CONDUCTS Hard cut to the exact four-character composition in F06. Guinness conducts Oly, Dina and Mia through the wordless phrase “ooh ohh ohh ohh ooh”, using small rounded paw gestures. The three singers show restrained breathing, tiny relaxed mouth openings and subtle shared swaying. No syllable-by-syllable mouth animation. Oly holds the tambourine still. Maintain exactly FOUR kittens total in one fixed arrangement. Use only a slight camera push IN. No pullback, background reveal, new rows, extra singers or reflections.00:23–00:25.3 — GUITAR / HELD OPENING NOTES Hard cut to F07. Goliath picks a long note, lets it ring and applies controlled vibrato with small rocking movements of his fretting paw. Slide the camera briefly along the neck. Keep the contact points readable.00:25.3–00:27.2 — GUITAR / FAST ASCENDING RUN Hard cut to F08, revealing Goliath’s concentrated expression. Then make two short hard-cut inserts derived from the same character and instrument: right paw rapidly picking the strings; left paw moving through successive fretboard positions toward the guitar body. Coordinated, compact movements suggesting a fast ascending scale. No random strumming or human fingers.00:27.2–00:29.6 — GUITAR / DYNAMIC WIDE SHOT Hard cut to F09. Continue the energetic phrase as the camera makes a fast, smooth partial orbit around Goliath, approximately 90 degrees, with strong foreground parallax from the pillar. Keep him and the guitar readable, feet planted and strap supporting the instrument. No full spin or unstable camera shake.00:29.6–00:30 — GUITAR / SUSTAINED RESOLUTION Hard cut to F10. The fast run resolves into a long ringing note with clear controlled vibrato. Goliath’s head begins to lift as his body settles. End DURING the sustained performance, allowing the following clip to continue it. No fade-out or concluding pose.EDITING AND SOUND: Natural-speed performance throughout. Purposeful hard cuts, no crossfades, morphing transitions, split screens or slow motion. No text or subtitles. The original song is the master soundtrack and will be used in editing. Do not compose replacement music or invent additional vocal phrases.
Format: 16:9, 30 seconds, 24fps, 1080p. Cinematic 90s anime film look, hand-painted backgrounds, warm golden sunlight, saturated blue sky with cumulus clouds, soft film grain, gentle lens flare.Setting: A seaside sidewalk in the afternoon. A tall chain-link fence runs along the right side, with the ocean behind it, palm trees, and an orange-lined road on the left. Characters (use the attached sheets as strict references): Mei Aihara (@Image1): wavy purple-black hair, round glasses, pink hoop earrings, pink and blue oversized sweater, green high-waist pants, white-pink-blue sneakers, black spiral notebook with stickers. Shy and bubbly. Yuki Kageyama (@Image2): long white double braids, black blazer, turtleneck, slim pants, boots. Calm, observant, protective. Luca Moretti (@Image3): messy blonde hair with a faded undercut, star face tattoos, neck and sleeve tattoos, ear piercings, white tank top, black trousers, leather shoes, cigarette in hand. Sound style: Anime audio. Exaggerated sparkle chimes, soft “doki-doki” heartbeats, cute kyahaha laughs, wind and wave ambience, light lo-fi guitar under the first half, and a low tense string drone from 19s. TIMELINE 0:00–3:00 | Luca, profile close-up Camera: tight side-profile close-up on Luca, fence in sharp focus beside him, deep-focus background. Action: He leans on the fence with the cigarette in his lips. Smoke drifts up toward the sky. In the soft-focus background, Mei and Yuki walk small and distant down the sidewalk. At 2:00 his eyes slide toward them and the frame blurs as the focus pulls away. Sound: waves, seagulls, soft inhale and exhale, faint lo-fi guitar. 3:00–7:00 | The girls chatting (medium two-shot, eye level) Camera: Front-facing two-shot at the same angle as the reference, with the fence and ocean at right, as they walk toward the camera. Action: Mei gestures excitedly with one hand, clutching her notebook to her chest. Yuki listens with a small smile. Mei (excited): “Gojo Satoru is so handsome, I could kiss and marry him!” At 5:00 both burst out laughing. Mei closes her eyes and laughs wide-mouthed (her “cheerful laugh” expression). Yuki covers her mouth and laughs with a quiet “pfft”, shoulders shaking. Sound: kyahaha! giggles, a cute sparkle “ting” on the punchline, and bouncy footsteps. 7:00–10:00 | The collision Camera: Low ground-level shot of Luca’s black leather shoe stepping into frame while Mei’s sneakers drift past, slightly out of focus. Cut to a wide shot at the fence with the ocean behind them: Luca walks left to right, Mei walks right to left, looking at her phone-free hands, and they bump. Mei (voice-over, still rambling, cut off): “I have his wallpapers plastered all over my room—” Her notebook and books fly out of her arms. Sound: shoe clack, quick “whoosh”, soft thump, “Eh?!” gasp, books slapping the pavement. 10:00–12:00 | Kneeling to pick up Camera: Wide high-angle shot looking down at both of them crouching, books scattered on the sidewalk. Luca bends low and Mei crouches beside him, flustered. Mei (flustered, soft): “A-ah, sorry!” Sound: fabric rustle, shy breathing. 12:00–16:00 | Hands and eyes (the key shot) 12:00: Extreme close-up on the blue book. Her hand and his tattooed hand land on it at the same time. Sound: all ambient sound drops out, one soft heartbeat “doki.” 13:00: Low-angle close two-shot over the book. Mei on the left with sunlit hair and glasses, Luca on the right looking down at her. Their eyes meet slowly. Her cheeks flush. 14:00: Extreme close-up on Mei’s eye. The pupil dilates and the glasses reflect sky and sparkle highlights. 14:45: Extreme close-up on Luca’s eye with the pierced eyebrow, face tattoos and a slight softening in his stare. 15:30: Return to the two-shot, slow push-in. Her lips part slightly. Luca (low, calm): “...Here.” Sound: double heartbeat “doki-doki”, a sparkle chime, soft strings. (Luca’s line is my addition, since the reference has no dialogue here. Remove it if you want it silent.) 16:00–19:00 | Yuki calls, Mei snubs him Camera: Wide shot from behind Yuki’s position. Yuki stands on the sidewalk on the left, waving. Mei and Luca are kneeling at center-right with the fence behind them. Yuki (calling out): “Meimei!” Mei jolts, grabs her notebook and stands up fast. She does not look at Luca. She turns her head away, bows slightly without a word, and hurries toward Yuki with her head down. Luca stays crouched and watches her go. Sound: gasp, quick footsteps, a “pip-pip” panicked blip. 19:00–22:30 | Yuki’s warning Camera: Medium shot, low angle, over Yuki’s shoulder. Yuki grabs Mei by the arm, and both glance back toward the fence. Sun flare glints off Mei’s glasses. Yuki (hushed, serious): “Meimei, that guy is with the Mafia. Be careful!” Sound: the tense string drone rises, and the ambience gets muffled. 22:30–26:00 | Luca stares Camera: Over-the-shoulder shot from behind Mei and Yuki (their heads blurred in the foreground). Rack focus onto Luca, who is now standing, hands at his sides, staring after them. A new cigarette smoulders and smoke drifts across the sky. Sound: wind, a single low taiko or bass hit. 26:00–30:00 | Final beat 26:00: Close-up on Mei’s profile as she looks back over her shoulder. Their eyes meet one more time across the distance. She blushes and snaps her head away (the snub). 28:00: Cut to Luca. A slow, small smirk. He looks down at his tattooed hand that touched hers, then back at her fading figure. 29:00: Final wide shot. The fence, the ocean, smoke curling up, the two girls walking away small in the distance. Fade out. Sound: a last “doki” heartbeat, a sparkle chime, then the music fades into waves. Negative prompt Realistic or 3D look, character design drift (wrong hair colour, missing glasses, missing face tattoos), extra fingers, text watermarks, camera shake, fast cuts during the eye-contact shots, western cartoon style.
Every prompt here was shared publicly by its author together with the video it produced.
