Kling 4.0 Sports Video Prompts 12 prompts

Kling 4.0 sports video prompts full of speed and tracking shots: parkour across Tokyo rooftops, skiing, skateboarding, drifting cars, speedboats, motorcycle stunts and street dance. Each one describes how the camera keeps up with the action.

By@Ayu_AI_0912·OCT 19, 2026

View full prompt & copy 15秒、16:9、1080p、8カット構成のシネマティックな超上級パルクール映像。主人公は image_1 の人物。添付画像をキャラクターデザインの参照として使用し、髪型、髪色、服装、配色、年齢感、体格、全体の雰囲気を全カットで一貫して維持すること。舞台は快晴の現代日本の都市。東京、渋谷、横浜を思わせる屋上、路地、階段、手すり、配管、コンクリート壁を舞台に、主人公が世界トップレベルのフリーランニングを披露する。【カット1｜00:00〜00:01.60】ローアングル後方追従。主人公が一気に加速し、腰ほどの高さの障害物をコングヴォルトで飛び越える。【カット2｜00:01.60〜00:03.40】正面ローアングル。ウォールランからティックタックを決め、向かいの屋上へジャンプして着地する。【カット3｜00:03.40〜00:05.20】横方向トラッキング。プレシジョンジャンプで細い足場へ着地し、そのままキャットリープで高い壁へ飛びついて登る。【カット4｜00:05.20〜00:07.20】屋上追従ショット。ダッシュヴォルトで障害物を越え、そのままウェブスターで屋上の隙間を飛び越える。【カット5｜00:07.20〜00:09.20】俯瞰移動カメラ。ダイブロールで着地の衝撃を吸収し、そのまま長い手すりをスピードヴォルトで攻略する。【カット6｜00:09.20〜00:11.30】正面から後退するハンドヘルド撮影。アンダーバーで低い障害物を通過し、その直後にサイドフリップで次の障害物を越える。【カット7｜00:11.30〜00:13.20】後方斜め上からのドローン撮影。パームスピンからコングヴォルトへ滑らかにつなぎ、最後のジャンプへ向けて全力で加速する。【カット8｜00:13.20〜00:15.00】クライマックス。大きな屋上の隙間へ向かって跳躍し、高く美しいコークスクリューを決める。カメラは空中で主人公の周囲を回り込む。正確に着地した後、そのままスピードを落とさず画面奥へ走り去る。【映像スタイル】実写映画品質。世界大会レベルのフリーランニング。リアルな重心移動。自然な筋肉の動き。リアルな着地衝撃。髪や衣装が風や動きに合わせて自然に揺れる。背景は鮮明に保ち、高速移動中のみ自然なモーションブラーを使用する。【禁止】人物の雰囲気や服装が大きく変化すること。髪型や配色の不自然な変化。顔や身体の崩れ。手足の増殖。分身。身体の融合。貫通。電線を通過することワープ。浮遊。不自然な着地。アニメ調。 CG調。

By@minchoi·OCT 17, 2026

View full prompt & copy A 30-second, seven-shot ski film edit of Kai <Character reference> skiing one steep, untracked mountain face at golden hour, cut together from several real cameras: a drone, a helmet-mounted action camera, an action camera on a pole, a camera planted in the snow, a chase skier and a long lens across the valley. Photoreal action-sports look, real speed, hard cuts on the action, no slow motion. Kai: athletic man in his 20s, red insulated ski jacket, black ski pants, black gloves, white helmet, mirrored orange goggles, black poles, twin-tip skis. Same outfit and gear in every shot, exactly as in the character sheet. Same mountain face, same powder, and the low sun always on his left as he skis down, throwing long blue shadows across the snow. Shot 1 (0-4s), drone: high aerial view of a sunlit ridge and the whole golden face below it. Kai, small in frame, drops in off the ridge and carves his first big turn, a plume of powder behind him. The drone pushes forward and tilts down to follow. Hard cut. Shot 2 (4-8s), helmet cam: first-person view from an action camera on his helmet, ultra-wide with curved edges. His ski tips and pole baskets at the bottom of the frame, snow rushing underneath, the horizon tilting hard left and right with each carve, powder spraying across the lens. Hard cut. Shot 3 (8-12s), pole cam: an action camera on a short pole held out in his left hand, ultra-wide, pointing back at him. His goggles and helmet fill one side of the frame, his body leaning into a turn, the mountain and sky swinging behind him, snow flecks stuck to the lens. He lets out a wordless shout into the wind. Hard cut. Shot 4 (12-17s), planted cam: a camera set low in the snow just below a wind-lip, pointing up at the sky. Kai launches off the lip and flies straight over the lens, skis crossing the low sun, snow raining down onto the camera, then he lands out of frame behind it. Hard cut. Shot 5 (17-21s), chase skier: a camera on a handheld stabiliser, skiing a few metres behind him at the same speed. He drops into a tuck and straight-lines the fall line, spray from his tails hitting the lens, the slope streaking past. Hard cut. Shot 6 (21-25s), long lens: a telephoto shot from across the valley, slightly shaky, compressing the slope. Kai lays a huge carve and throws a wall of powder backlit gold by the sun. Hard cut. Shot 7 (25-30s), low static camera at the bottom of the run: he skis straight at the lens and skids a hard hockey stop right in front of it, a sheet of snow blasting the camera. As it clears, he pushes his goggles up onto his helmet, breathing hard and laughing. Look: every action-camera shot ultra-wide and crisp with curved edges, small lens flares and snow on the lens; the drone and long-lens shots clean and natural. Warm low sun, long blue shadows, glittering ice crystals in the spray, natural colour, real motion blur. Sound, in stereo, loud and up front like real action-camera audio, never quiet: constant wind roaring and buffeting the camera mics, gusting harder as he picks up speed; the crunch of snow under his skis as he drops in; friends whooping and yelling "Go!" from the ridge at the start; the hiss, scrape and chatter of his edges biting the snow on every carve; poles planting with a crisp crunch; powder spraying off his tails with a soft roar; his hard breathing, and a grunt on the landing; a loud whoosh and the clack of skis as he flies over the planted camera, then the thud of the landing; distant ravens calling across the valley; the ripping sheet of snow blasting the lens on the hockey stop, then his panting laugh and his friends cheering from up the slope. A driving instrumental track with punchy drums sits low underneath, cut on the beat, never covering the natural sound. No subtitles.

By@Ayu_AI_0912·SEP 29, 2026

View full prompt & copy 15秒、16:9、8カット構成のシネマティックな超上級パルクール映像。主人公は image_1 の人物。添付画像をキャラクターデザインの参照として使用し、髪型、髪色、服装、配色、年齢感、体格、全体の雰囲気を全カットで一貫して維持すること。舞台は快晴の現代日本の都市。東京、渋谷、横浜を思わせる屋上、路地、階段、手すり、配管、コンクリート壁を舞台に、主人公が世界トップレベルのフリーランニングを披露する。【カット1｜00:00〜00:01.60】ローアングル後方追従。主人公が一気に加速し、腰ほどの高さの障害物をコングヴォルトで飛び越える。【カット2｜00:01.60〜00:03.40】正面ローアングル。ウォールランからティックタックを決め、向かいの屋上へジャンプして着地する。【カット3｜00:03.40〜00:05.20】横方向トラッキング。プレシジョンジャンプで細い足場へ着地し、そのままキャットリープで高い壁へ飛びついて登る。【カット4｜00:05.20〜00:07.20】屋上追従ショット。ダッシュヴォルトで障害物を越え、そのままウェブスターで屋上の隙間を飛び越える。【カット5｜00:07.20〜00:09.20】俯瞰移動カメラ。ダイブロールで着地の衝撃を吸収し、そのまま長い手すりをスピードヴォルトで攻略する。【カット6｜00:09.20〜00:11.30】正面から後退するハンドヘルド撮影。アンダーバーで低い障害物を通過し、その直後にサイドフリップで次の障害物を越える。【カット7｜00:11.30〜00:13.20】後方斜め上からのドローン撮影。パームスピンからコングヴォルトへ滑らかにつなぎ、最後のジャンプへ向けて全力で加速する。【カット8｜00:13.20〜00:15.00】クライマックス。大きな屋上の隙間へ向かって跳躍し、高く美しいコークスクリューを決める。カメラは空中で主人公の周囲を回り込む。正確に着地した後、そのままスピードを落とさず画面奥へ走り去る。【映像スタイル】実写映画品質。世界大会レベルのフリーランニング。リアルな重心移動。自然な筋肉の動き。リアルな着地衝撃。髪や衣装が風や動きに合わせて自然に揺れる。背景は鮮明に保ち、高速移動中のみ自然なモーションブラーを使用する。【禁止】人物の雰囲気や服装が大きく変化すること。髪型や配色の不自然な変化。顔や身体の崩れ。手足の増殖。分身。身体の融合。貫通。電線を通過することワープ。浮遊。不自然な着地。アニメ調。 CG調。

By@minchoi·OCT 17, 2026

View full prompt & copy 30-second continuous low tracking shot of a skateboarder in a concrete park at golden hour. Large dynamic motion, realistic weight and physics.[Skater]: young man, early 20s, faded red T-shirt, black shorts, short hair. Consistent face and outfit.0–6s: He rides toward camera, pushes once, centers his weight. Camera tracks low beside the board.6–12s: He approaches a set of stairs. Knees bend, weight shifts back. Board rises on the tail.12–18s: He clears the stairs. Wheels leave the ground. Cloth and hair react to the motion. He lands with knees absorbing impact.18–24s: He rolls out, slight speed check, then carves hard left. Camera stays locked low and follows.24–30s: Final wide as he rides away into the warm light, board still under him.Natural late-afternoon sun, long shadows, realistic dust and board sound. No slow motion unless specified. Preserve exact clothing and face.

By@AllaAisling·SEP 28, 2026

View full prompt & copy 15-second ultra-cinematic racing film. Photorealistic. Premium blockbuster aesthetics. A spectacular race track built across a vast tidal ocean basin at sunrise. The track consists of a narrow elevated road that periodically disappears beneath massive waves. 0-3s Two hypercars race across the exposed ocean floor with enormous cliffs and golden sunlight surrounding them. 3-6s Water begins rushing across sections of the track behind them. 6-9s The cars accelerate toward a section completely covered by a wall of seawater. 9-12s They burst through the water curtain at full speed, water exploding around the vehicles. 12-15s They emerge onto dry track as the ocean closes behind them, racing toward the sunrise. Photorealistic water physics. Gorgeous golden reflections. Huge scale. No fantasy creatures.

By@sebatheepan·OCT 2, 2026

View full prompt & copy 20s, 9:16, 4 cuts, ultra-realistic underground street dance cipher footage, authentic handheld smartphone camera style, native acoustic foley. No text, captions, graphics, scoreboards, or HUD overlays.STYLE: Gritty raw handheld smartphone footage, 4K 60fps, low-angle natural camera shake, dynamic rapid pans, harsh overhead tungsten and neon gym floodlights, natural dust motes in the air, authentic heavy metal clatter physics, no CGI glow. CAST: SIR GARETH — burly 15th-century knight in battle-dented, tarnished full plate steel armor, articulated gauntlets, heavy chainmail aventail, iron great-helm with narrow eye slit. Serious competitive intensity. SIR PERCIVAL — rival knight in ornate fluted Gothic plate armor, closed visor helmet, battle-scratched steel greaves. Hyped, head-nodding posture. HYPE CROWD — circle of modern urban street dancers in hoodies and sneakers jumping and cheering in rhythm. PROPS: Scuffed underground warehouse concrete floor, linoleum dance strip taped in the center, chalk dust, steel sword leaning against a brick wall. PALETTE: Raw industrial brick red, cold metallic steel sheen, tungsten arena yellow, deep shadow black. STORY: Two fully armored medieval knights throw down in an aggressive, physically believable underground breakdance battle. BEATS: 0.0–5.0s | CUT 1, low-angle dynamic whip pan: Sir Gareth drops hard onto the concrete in a low six-step footwork pattern, heavy steel boots and iron sabatons loudly clacking against the floor while the surrounding hype crowd pumps their fists. 5.0–10.0s | CUT 2, medium wide action track: Gareth throws his legs up into a furious windmill, heavy metal elbow plates grinding and scraping sparks against the floor before he cleanly pops up into a solid one-handed iron gauntlet freeze pose, visor locked on his rival. 10.0–15.0s | CUT 3, clean close-up on Sir Percival: Percival steps onto the linoleum, nodding his iron helmet violently to the tempo, pointing two armored gauntlet fingers forward, and drops directly into a synchronized headspin with steel shoulders whipping through the air. 15.0–20.0s | CUT 4, wide reaction two-shot: Percival finishes with a low freeze, armor screeching against the floor, popping up into Gareth's face; both tap breastplates in mutual respect as the background crowd goes wild, jumping and throwing their hands in the air. Hold. AUDIO: Rhythmic concussive bass vibrations, loud metallic clashing and screeching of steel armor on concrete at 3.2s and 7.5s, squeak of rubber shoes, heavy armor clanking, energetic crowd roar and rhythmic yelling. No speech, no background commentary. NEGATIVE: Text, scoreboard, numbers, HUD overlays, subtitles, watermarks, plastic armor, floating limbs, cartoon movements, slow motion drift, rubbery metal, CGI sparks.

By@fang_ceo·SEP 30, 2026

View full prompt & copy References: 图片1 = the rear of the yellow car with its license plate. 图片2 = the yellow car's side design. 图片3 = the car right after it stops, BEFORE the window opens: broadside, front pointing to frame RIGHT, right-hand drive with the driver's seat on the camera side, window CLOSED, RYO calm with BOTH eyes open. 图片4 = RYO's expression ONLY for the last 1.5 seconds (18.5-20s), after he has finished speaking. Before 18.5s RYO never winks: both eyes stay open. Keep the same car (图片1, 图片2) and the same man (图片3, 图片4) in every shot.20-second photoreal blockbuster street-racing action movie scene, 16:9, 6 hard cuts. Aggressive, kinetic camera work in every shot: no static camera. Speed ramps, motion blur, tire smoke. Night in Shibuya, Tokyo: wet asphalt, cyan-blue night light with red and magenta neon reflections; the bright yellow car is the hero color. Native audio. The ONLY speech is one short Japanese line spoken by RYO in the final shot, with accurate lip sync. No speech before 16s. No subtitles, captions, watermarks or logos. CAR: the bright yellow two-door sports car from 图片1 and 图片2, no badges, white Japanese license plate 「架空 01 / あ 12-34」 exactly as in 图片1. Japanese right-hand-drive car: the driver's seat and steering wheel are on the car's RIGHT side. CAST: RYO - handsome Japanese man, late 20s, short black hair, black leather jacket over a white T-shirt, as in 图片3 and 图片4. He is the driver and the only face shown. ROADS: the streets are closed off for the race. The yellow car is the ONLY moving car. No other moving cars, no taxis, no traffic. A few parked cars stand neatly at the left curb, all facing the same direction as the lane (Japanese left-hand traffic). The yellow car drives in the left lane, left of the center line. Crowds watch from the sidewalks. SHOTS: 0-2s | CUT 1, extreme close-up, fast push-in on the rear of the car as in 图片1: the plate 「架空 01 / あ 12-34」 sharp, twin exhausts spit a burst of flame as the engine revs, the rear tire spins and smokes. 2-5s | CUT 2, FPV drone dive: the camera plunges down between neon Shibuya buildings and swoops in right behind the car as it launches down the empty left lane. 5-8s | CUT 3, bumper-cam rig inches above the asphalt, the empty closed road rushing under the lens with heavy speed blur, the white center line on the right side of the frame, neon whipping past. 8-11s | CUT 4, high aerial shot then a fast crash-zoom down: the car races toward the Shibuya Scramble Crossing. The crossing is completely empty of cars; crowds wait on the corners behind the lines; giant video screens glow. 11-15.5s | CUT 5, low camera on the road in front of the car in the empty Scramble Crossing: the car charges straight toward the lens, RYO steers hard to the LEFT and pulls the handbrake, the car swings into a sideways slide and stops broadside a few meters from the camera, its RIGHT side (the driver's side) facing the camera and its front pointing to frame right, exactly like 图片3. The driver's window stays CLOSED. Through the glass RYO looks ahead, calm, both eyes open. Thick white tire smoke rolls past. 15.5-20s | CUT 6, same orientation as CUT 5, the camera pushes in to the driver's window. 15.5-16.2s: the closed window slides down with an electric whirr. 16.2s: RYO turns to the lens with a confident grin, both eyes open, and shouts: RYO (Japanese, bright confident young male voice, excited): 「クリング・ヨンテンゼロ・フラッシュが出たぞー！」 He finishes the line at 18.3s and closes his mouth. 18.5s: only now, he winks at the camera with ONE eye, exactly like 图片4, and holds that cool smile silently until the end. AUDIO: roaring engine revs, exhaust pops and backfire bangs, turbo whoosh as the drone swoops, long tire screech during the slide stop, power-window whirr at 15.5s, crowd cheering in the distance. Hard-hitting electronic action beat in CUT 1-4 that drops out at 11s. After the line: silence except the idling engine. No other voices, no laughing or shouting after the line.

By@EndFolding79421·OCT 20, 2026

View full prompt & copy Massive outdoor stadium at night packed with a roaring crowd under bright stadium floodlights. The atmosphere is electric. In the center field is a long steel stunt ramp aimed at a gigantic suspended ring of roaring fire.Use as the stuntman, keep his costume and muscle build consistent throughout the entire sequence.The sequence begins with a wide aerial establishing shot of the stadium at night, crowd cheering loudly, camera slowly pushing toward the ramp.Cut to a dramatic close-up of the massive flaming ring, fire roaring violently, sparks drifting upward, heat distortion in the air.Cut to a tight cinematic close-up of The Human Fly sitting on his motorcycle at the base of the ramp. Stadium lights overhead .Cut to his gloved left hand gripping and revving the throttle aggressively, engine vibrating with power.Cut to his boot slamming into gear and releasing the clutch. The motorcycle surges forward.Low tracking shot beside the rear wheel as dirt and smoke kick up while he accelerates.Dynamic side tracking shot as he races up the ramp at full speed toward the blazing ring of fire. Final shot: intense close-up of his masked face from while riding, eyes locked forward, focused, fearless.Cut to black before the jump. Realistic practical stunt cinematography, 1970s daredevil film energy, tense -epic.

By@manibuildsAI·OCT 4, 2026

View full prompt & copy Realistic vertical handheld phone footage at a bright indoor ice rink during a figure skating competition, no text or captions on screen. Two enormous sumo wrestlers in mawashi loincloths and top-knots perform a graceful pairs figure skating routine: gliding hand in hand, one lifts the other high overhead with one arm and spins, then throws him into a triple jump that lands with a thud that cracks the ice, both finishing with elegant arms out while judges in the background hold up score cards. Single continuous shot, no cuts, romantic orchestral music, scraping blades and a heavy thud.

By@kaanakz·OCT 1, 2026

View full prompt & copy CAMERA: Realistic motorsport documentary footage mixed with in-car POV. Helmet-mounted action camera, dashboard-mounted camera, low roadside tracking shots and occasional long-lens spectator shots. Aggressive natural camera shake, vibration from the road, rapid motion blur, imperfect autofocus, windshield reflections, dust hitting the lens and realistic exposure changes. Never show camera equipment.LOOK: Authentic rally footage with slightly gritty digital cinema texture. Realistic colors, natural contrast, subtle lens imperfections, dust and dirt on the vehicle, realistic tire smoke and environmental particles. No glossy commercial look. STYLE: Intense professional rally racing test, realistic motorsport documentary, raw and immersive, high-speed, dangerous but believable. DRIVER: Young professional female rally driver, early 30s, athletic build, focused expression, wearing a realistic FIA-style white racing suit, black racing gloves and a full-face rally helmet. Consistent helmet, suit, car and appearance throughout. CAR: Aggressive modern rally car with wide fenders, racing suspension, roll cage, rally tires, mud splattered bodywork, large rear wing and functional aerodynamic details. Realistic mechanical movement and suspension compression. SETTING: Narrow gravel rally stage through a dense European forest. Uneven dirt road, sharp corners, trees extremely close to the road, small jumps, mud puddles, dust clouds and scattered spectators behind safety barriers. STORYBOARD: (~3s in-car POV) The rally car launches from the starting line. Engine revs aggressively, tires spin briefly and gravel explodes behind the car. The driver rapidly shifts gears and accelerates into the forest. (~3s roadside tracking) Low camera positioned dangerously close to the gravel road as the car approaches at extreme speed, slides through a sharp corner and throws a massive cloud of dust and gravel directly past the camera. (~3s cockpit) First-person cockpit view. Steering wheel rapidly turns left and right as the driver performs a controlled counter-steer through a long gravel corner. Hands move naturally and aggressively. (~3s exterior) Long-lens shot of the car jumping over a small crest. All four wheels briefly leave the ground before landing heavily, suspension compressing realistically. (~3s chase camera) Rear three-quarter tracking shot as the car powers through a muddy section, spraying mud and water across the camera lens. (~3s cockpit) The driver approaches a series of rapid corners. Fast gear changes, steering corrections, engine vibration and intense concentration. Natural helmet movement and realistic cockpit lighting. (~2s final exterior) The car exits the forest at full speed, slides around the final corner and crosses the finish line while dust fills the entire frame. Prioritize authentic rally physics, realistic vehicle weight, suspension movement, tire grip, gravel deformation, engine vibration, natural driver movements, consistent vehicle design, consistent driver appearance, believable camera shake and genuine motorsport cinematography. Avoid impossible vehicle movements, exaggerated CGI physics and overly clean commercial footage.

By@Ayu_AI_0912·OCT 20, 2026

View full prompt & copy 30秒、16:9、1080p、8カット構成。総製作費300億円規模の日本の実写大作映画を思わせる、シネマティックな超上級パルクール追跡シーン。主役は、圧倒的な身体能力と優雅さを持つ女性怪盗。女性怪盗のかっこいいパフォーマンスを映像の中心に据え、その後を同じルートで不器用に追う男性警察官の姿で、コミカルなアクセントを添える。女性の技は踏み切りから空中姿勢、着地までしっかり見せる。男性の失敗で女性の見せ場を途中で遮らない。画面の主役として女性を映す時間を全体の約7割とする。【登場人物】主人公は成人の女性怪盗。添付画像の女性の顔立ち、輪郭、目元、鼻、口元、肌の色、髪型、髪色、年齢感、体格、服装、配色、アクセサリー、全体の雰囲気を忠実に維持する。全カットを通して、添付画像と同じ女性だと明確に分かること。怪盗らしさは、自信に満ちた表情、優雅な身のこなし、相手をからかう振る舞いで表現する。参照画像にない仮面、帽子、マントなどを勝手に追加しない。女性は世界トップレベルのフリーランニング能力を持つ。力強い加速、無駄のない踏み切り、美しい空中姿勢、正確で静かな着地。技と技の間で立ち止まらず、流れるように次の動作へつなぐ。難しい技も涼しい顔で決め、追跡そのものを楽しんでいる。振り返るときだけ、いたずらっぽい微笑みを見せる。追いかけるのは、成人の男性警察官。真面目で必死だが、運動神経が悪い。女性と同じ障害物を、同じ順番、同じルートで越えようとする。女性が跳び越えた障害物に腹を乗せ、女性が軽やかに登った壁を膝と肘でよじ登る。女性の宙返りは真似できず、通常の跳躍で何とか同じ着地点へ進む。不器用だが粘り強く、諦めない。顔立ち、体格、制服を全カットで一貫させる。【舞台・連続性】快晴の現代日本の架空の都市。屋上、路地、階段、手すり、配管、コンクリート壁、建物をつなぐ足場。日本語の看板、室外機、屋上設備など、日本の都市らしい細部を自然に描く。全8カットを、同じ街を連続して駆け抜ける1本の追跡劇としてつなぐ。女性と男性が通る障害物の形状、位置、順序を一致させる。男性は階段や別の通路へ迂回せず、女性のルートを不器用にたどる。男性が手間取るほど距離が開く。女性が意図的に速度を緩めた場合だけ、距離が縮まる。屋上の隙間は、女性には華麗な回転技を披露でき、男性にも全力の通常跳躍で何とか越えられる距離にする。【カット1｜00:00〜00:04.00】ローアングル後方追従から、女性の斜め前へ回り込む。女性怪盗が肩越しに男性を振り返り、余裕の微笑み。女性：「ついてこられるかしら？」前へ向き直って一気に加速。腰ほどの障害物へ両手をつき、脚を鮮やかに引き抜くコングヴォルト。着地の勢いを保ち、そのまま次の壁へ走る。男性は画面奥から同じ障害物へ迫る。【カット2｜00:04.00〜00:07.50】正面ローアングルの移動撮影。女性が壁を駆け上がるウォールランから、隣の壁を蹴るティックタックへ連続。身体の向きを空中で正確に変え、向かいの足場へ着地する。カメラは全身を捉え、壁を蹴る足と着地点の関係を明確に見せる。画面奥では男性が、先ほどの障害物に腹を乗せてしまい、片膝を使って何とか越える。女性の動きの流れを優先し、男性の姿は短く見せる。【カット3｜00:07.50〜00:11.00】横方向トラッキング。女性が細い足場へプレシジョンジャンプで正確に着地。すぐに踏み切り、キャットリープで高い壁の縁をつかむ。腕と脚を連動させ、一息で壁の上へ身体を引き上げる。上体を起こす流れで髪が風になびき、鋭い視線が次のルートを捉える。後方の男性は同じ壁蹴りに挑み、足を滑らせかけながらも足場へしがみつく。男性：「待て！……待って！」【カット4｜00:11.00〜00:15.00】屋上を低い位置から高速追従。女性がダッシュヴォルトで障害物を越え、着地から数歩で再加速。片脚で強く踏み切り、ウェブスターで屋上の隙間を越える。回転中も全身が見える構図を保ち、美しい伸びと身体の制御を見せる。正確に着地し、勢いを途切れさせず走り続ける。遠景の男性は同じルート上の壁を、肘と膝を使って必死によじ登っている。【カット5｜00:15.00〜00:18.50】俯瞰から地上に近い高さへ降りる移動カメラ。女性が一段低い屋上へ飛び降り、滑らかなダイブロールで衝撃を吸収。立ち上がる勢いのまま、長い手すりをスピードヴォルトで鮮やかに攻略する。一連の動作を途切れさせずに見せる。後方では男性が、女性の越えた屋上の隙間を通常のジャンプで何とか渡る。着地で深くしゃがみ込み、両手を床について踏みとどまる。【カット6｜00:18.50〜00:22.00】正面から後退するハンドヘルド撮影。女性が低い配管をアンダーバーで抜け、すぐにサイドフリップで次の障害物を越える。着地と同時にカメラの横を駆け抜ける。カメラが振り返ると、後方の男性が同じ手すりを片脚ずつまたいでいる。男性はようやく降り立つが、よろめいて帽子を押さえ、必死に追跡を再開する。笑いのための間は短くし、女性の疾走感を維持する。【カット7｜00:22.00〜00:26.00】後方斜め上からのドローン撮影。女性がパームスピンからコングヴォルトへ、滑らかに技をつなぐ。最後のジャンプへ向かう直線で少しだけ速度を緩め、肩越しに振り返る。女性：「あら、もうお疲れ？」後方では男性が同じ配管の下を不格好にくぐり抜ける。男性：「準備運動だ！」女性は楽しげに微笑み、再び力強く加速する。【カット8｜00:26.00〜00:30.00】クライマックス。女性が屋上の端へ向かって全力疾走。力強く踏み切り、高く美しいコークスクリューで隙間を飛び越える。空中でカメラが女性の周囲を滑らかに回り込み、顔、全身のシルエット、回転の軌道を捉える。回転の頂点のみ、ごく短いスローモーション。着地前に通常速度へ戻り、両足で正確に着地。そのまま走り抜ける。最後に肩越しの微笑みを見せ、画面奥へ消える。遠く後方では男性が、女性の通った障害物をまだ必死によじ登っている。女性の圧倒的なかっこよさと、男性の諦めない追跡を同じワイド画面に収めて締める。【映像・音響】全編フォトリアルな実写。大規模なロケ撮影、精密な美術、自然に溶け込むVFX、映画的なライティングとカラーグレーディング。女性の技は、踏み切りから着地まで身体全体を見せる。細かすぎる編集で動作をごまかさず、実際に技を連続して成功させている説得力を持たせる。リアルな重心移動、筋肉の動き、着地衝撃。髪や衣装が風と動きに合わせて自然に揺れる。女性の表情には余裕があり、動きには速さ、力強さ、美しさがある。男性の不器用さは、ためらい、弱い踏み切り、不安定な足運び、荒い息で表現する。スタイリッシュで疾走感のある映画音楽。女性の軽快な足音と、男性の重い着地音、衣擦れ、息遣いを対比させる。セリフは指定された話者が自然な日本語で話し、口の動きを一致させる。セリフ中は音楽を控え、聞き取りやすくする。字幕、ナレーション、追加のアドリブは入れない。【禁止】添付画像の女性と別人になること。女性の顔、髪型、服装、体格の変化。参照画像にない怪盗衣装の追加。女性の見せ場を男性の失敗で遮ること。女性の技を途中で切り、踏み切りや着地を省略すること。男性が別ルートへ迂回すること。男性が突然機敏になること。男性が高度な宙返りや華麗なヴォルトを成功させること。男性が理由なく女性へ追いつくこと。障害物の形状、位置、順序が変わること。追う側と逃げる側の入れ替わり。セリフの話者の入れ替わり、早口、セリフの重なり。字幕、吹き出し。顔や身体の崩れ、手足の増殖、分身、身体の融合、貫通。電線の通過、ワープ、浮遊、不自然な着地。漫画的な転倒や身体の変形。アニメ調、イラスト調、ゲーム映像調、目立つ3DCG感。

By@shikoba_86·OCT 7, 2026

View full prompt & copy Use the start image as the opening frame and preserve the same coastal location.Create one continuous shot only. No cuts. No multishot. The shot starts calm and still at dusk. Then the camera turns toward the sea. Two boats appear far in the distance and race quickly toward the camera across the water. The boats grow rapidly larger as they approach. When they pass close to the camera, the camera immediately follows them in the same uninterrupted shot as they continue racing fast along the coastline. Maintain the geography of the original location throughout the entire camera movement. The shoreline, cliffs and bay must remain recognizable while the camera changes direction and begins tracking the boats. Sound: quiet sea ambience at first, followed by approaching engines, water spray and rushing wind. No background music. No captions.

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FAQ

How do Kling 4.0 sports prompts handle fast motion?

They tie the camera to the subject: a low tracking shot behind a skateboard, a drone following a car, several cameras on one ski run. Naming where the camera is and how it moves keeps fast action readable.

Can I get several camera angles in one Kling 4.0 sports video?

Yes. Some prompts here list multiple cameras or numbered shots of the same run, cutting between them. Others ask for one continuous shot. Pick the pattern that fits your edit.

Do Kling 4.0 sports prompts include stunts and crowds?

Several do, such as a stadium motorcycle jump and a fictional race with roadside spectators. Describe the crowd’s reaction and the sound as well as the stunt to make the moment land.