Kling 4.0 Product Commercial Prompts 21 prompts

Kling 4.0 product commercial prompts for drinks, cars, perfume, cosmetics, furniture and food. Macro pours, studio rotations, stunt drives and creator-style UGC ads, each one ending on a clean product shot you can swap for your own brand.

By@Diplomeme·OCT 5, 2026

View full prompt & copy 20 seconds | 9:16 | authentic UGC advertisement | premium creator content | MULTISHOTCORE CONCEPTA young female creator casually shares her genuine Red Bull experience directly from her phone camera. The advertisement should feel like a real spontaneous social-media recommendation rather than a polished commercial.The creator speaks naturally to camera, demonstrates the product, takes a sip and explains when she likes drinking it. The performance should feel unscripted, confident and relatable while maintaining premium visual quality.Use the uploaded reference image as the EXACT visual identity reference for the creator. Preserve her facial identity, facial proportions, hairstyle, hair color, body proportions and recognizable appearance throughout the entire video.CREATORYoung adult female creator based directly on the uploaded reference image.Contemporary casual fashion.Natural hair.Realistic skin texture.Minimal makeup.Natural facial expressions.No exaggerated influencer behavior.She should feel like a genuine lifestyle creator recording content for Instagram Reels / TikTok.SETTINGModern apartment kitchen / living space during late afternoon.Natural window light.Casual lived-in environment.Countertop with everyday objects.Red Bull can placed naturally on the kitchen counter.The environment should feel real and slightly imperfect rather than like a professional advertising studio.STORY — UGC MULTISHOT VISUALS00:00–03.0 — HOOKFront-facing smartphone camera.Creator holds the phone naturally at arm's length.She looks directly into the camera and says:“Okay, I actually didn't expect this to become my go-to.”Natural conversational delivery.Small smile.Natural blinking.Subtle handheld phone movement.03.0–06.0 — PRODUCTCamera angle changes naturally to a slightly closer handheld shot.She reaches toward the Red Bull can sitting on the counter.Picks it up.Shows the can briefly toward the camera.Can remains physically accurate.She says:“This is the one I grab when I need to keep going.”06.0–09.0 — OPENClose handheld smartphone framing.She opens the can.Natural PSHHHT sound.She takes a sip.Brief genuine reaction.No exaggerated facial expression.09.0–13.0 — REAL-LIFE MOMENTCut to a casual wider phone-camera angle.Creator moves around the kitchen while continuing to talk.She gestures naturally with the can.She explains how she incorporates it into her busy day.Her movements remain spontaneous and imperfect.13.0–16.5 — LIFESTYLE CUTAWAYHandheld phone footage.Creator grabs her bag and keys from the counter.Red Bull remains in her hand.She walks toward the apartment door.Quick natural glance toward camera.No cinematic transition.16.5–20.0 — FINAL CTAFront-facing smartphone shot near the doorway.She looks directly into camera.Raises the Red Bull can slightly.Natural smile.She says:“If you haven't tried it yet, you should.”End on a casual handheld frame rather than a polished commercial hero shot.CAMERAAuthentic modern smartphone camera.Front-facing selfie camera for direct-to-camera sections.Rear camera for product and lifestyle cutaways.Natural handheld movement.Minor framing imperfections.Occasional autofocus adjustment.Realistic smartphone exposure adaptation.Natural perspective and slight smartphone lens distortion.No cinema-camera movement.No gimbal perfection.No artificial depth-of-field.No commercial beauty retouching.VISUAL / COLOR SETTINGPremium UGC × contemporary lifestyle creator content.Natural smartphone image quality with excellent exposure and realistic detail.Soft natural skin texture.Real fabric texture.Natural household materials.Subtle digital sharpening.Moderate smartphone dynamic range.The footage should feel like genuinely captured social content that happens to have excellent production quality.COLOR GRADENatural warm indoor daylight.Neutral skin tones.Realistic whites.Subtle contrast.Red Bull red remains naturally noticeable without becoming artificially saturated.No cinematic teal-orange grade.No excessive HDR.MOTIONNatural handheld smartphone movement.Small movements caused by the creator holding the phone.Natural walking motion.Realistic body movement.Natural hair and clothing movement.No artificial slow motion.No speed ramps.No cinematic camera choreography.LIGHTINGPrimarily natural window light.Soft daylight across the creator's face.Subtle practical kitchen lighting where appropriate.Realistic exposure changes when moving between rooms.No studio beauty lighting.No artificial rim lights.AUDIOAuthentic creator voice recorded close to the smartphone microphone.Natural room tone.Subtle refrigerator hum.Clothing movement.Footsteps.Can opening.Carbonation sound.Light background environmental noise.Voice remains clear but not artificially processed.Music may begin quietly underneath the final section but should never overpower the creator's voice.REALISMThe video must feel genuinely user-generated.Natural skin pores.Natural facial asymmetry.Real blinking.Natural pauses.Small speech imperfections.Authentic hand gestures.Realistic smartphone exposure.Natural autofocus behavior.No perfect influencer posing.No plastic skin.No beauty filter.No AI-generated facial expressions.No unnatural eye contact.No synchronized lip movement errors.BRAND CONTROLThe Red Bull can must remain accurate in shape, proportions, materials and branding.Do not invent additional Red Bull branding.Do not distort the logo.Do not create fake product variants.No watermarks.No random text.No fake UI overlays.EDITINGFast but natural UGC pacing.Cut whenever the creator changes activity.Use jump cuts sparingly.No cinematic transitions.No dramatic zooms.No glitch effects.No excessive B-roll.Maintain the feeling that the creator personally recorded the entire video for social media.CONTINUITYThe creator remains identical throughout all shots.Same face.Same hairstyle.Same clothing.Same accessories.The same Red Bull can remains physically consistent.Maintain the same apartment environment and time of day.FINAL QUALITY TARGETThe final result should look like a genuinely viral high-performing UGC advertisement recorded by a real lifestyle creator on a modern smartphone.It should NOT look like a traditional Red Bull commercial pretending to be UGC.The viewer should feel:“She actually uses this.”Authenticity first.Product visibility second.Commercial polish third.

By@tanabe_fragm·SEP 30, 2026

By@agi_aibusi·OCT 17, 2026

View full prompt & copy Create one complete 30-second, ultra-realistic Japanese romantic drama. Follow the five timed scenes below within a single finished film. The emotion comes from a woman who tries to say goodbye, then finds the courage to admit she wants to meet again.MAIN SUBJECT Ella is the sole visible character: a beautiful adult Japanese woman with straight dark hair and bangs, natural skin texture, subtle everyday makeup, and believable expressions. Her wardrobe for this film is a white blouse, a pale blue cardigan, simple neutral trousers, and ordinary low shoes. Keep the same facial identity, facial proportions, apparent adult age, eyes, skin tone, hair, clothes, and body proportions throughout every shot. Use small changes around her eyes and mouth to convey emotion; avoid exaggerated crying. LOCATION A quiet fork in a Japanese residential lane at sunset. Modest houses, concrete-block garden walls, plants at entrances, overhead utility wires, and a distant railway crossing establish a lived-in Japanese neighborhood. Keep the street layout and sunset direction coherent. No landmark, crowds, prominent brands, or readable advertisements. CAMERA / VISUAL STYLE Naturalistic live-action romance, intimate eye-level framing, soft warm sunset, realistic depth of field, restrained contrast. The camera occupies the emotional position of the unseen person saying goodbye to her. No visible male actor. Begin in a medium shot, hold the physical distance as she leaves, and let her approach create the final close-up. Subtle human handheld movement, clean motivated edits, no orbiting, drone shots, artificial beauty filters, or slow motion. This is a dramatic scene, not a fashion montage. 00:00–00:05 — A POLITE GOODBYE Ella stands at the fork facing the unseen person near the camera. She makes a slightly forced but gentle smile and gives one small wave. In natural Japanese, with synchronized lips, she says: 「じゃあね。……元気でね」. She lowers her hand and begins to turn away. 00:05–00:11 — THE SMILE DISAPPEARS She walks several normal steps away. The camera stays at the original position and does not chase her. A restrained three-quarter view reveals that her social smile has faded. She looks down very briefly, trying to maintain composure. Only ordinary footsteps and neighborhood ambience. 00:11–00:17 — SHE CHANGES HER MIND Her feet stop naturally. A small breath moves her shoulders. She hesitates, turns her head and then her body back toward the camera, and softly calls: 「……ねえ」. Leave silence around the word. No tears falling, no melodramatic gesture. 00:17–00:24 — RETURNING She walks back toward the same camera along the same path, stopping at a comfortable conversational distance. Her expression combines shyness and resolve. Looking toward the unseen person's eyes beside the lens, she says: 「さっきの、言い直してもいい？」. Do not rush her approach or dialogue. 00:24–00:30 — THE HONEST WORDS An intimate close-up as she stays still. Her eyes become slightly moist, and a vulnerable smile appears. At approximately 00:25–00:27, she says quietly: 「また、会いたい」. Hold her face and the silence through the final seconds as she waits for a reply. End on this living expression without a title card or a fade to black. PHYSICAL REALISM / CONTINUITY Realistic walking speed, grounded feet, anatomically correct hands, consistent spatial direction, and natural breathing. No extra fingers, duplicated people, facial morphing, sliding feet, teleportation, or changing clothing. Her return follows the path she just walked. One person and one continuous emotional event; no unrelated insert shots. AUDIO Ella speaks only the four specified Japanese lines, in one consistent natural adult female voice. Accurate Japanese lip synchronization, quiet breaths, shoes on pavement, distant traffic, and a faint railway crossing. No male reply, narrator, music, subtitles, or added text. Preserve roughly two seconds of emotional breathing space after the final line. FINAL FEEL A small, believable romantic turning point. Her beauty is visible in her face and presence, while her uncertainty makes the scene human. The final result should feel like thirty seconds extracted from a convincing Japanese live-action drama.

By@tanabe_fragm·SEP 30, 2026

View full prompt & copy 架空のパン屋「こむぎ日和」の10秒ブランドCM。横長16:9。街が目覚める前から始まる丁寧なパン作りが、朝の食卓の幸せへつながる様子を、温かく自然な実写映像で描く。中心となる言葉：「今日を、焼きたてに。」【参照画像】添付の9コマボードを、店舗、女性パン職人、衣装、厨房、調理器具、カンパーニュ、照明、撮影アングルの厳密なビジュアル参照として使用する。読み順は左上から右、上段から下段。完成動画では、9コマ画像全体、枠線、番号、分割状態を一切表示しない。冒頭から01の店舗外観を全画面で映す。各コマを全画面の独立した実写ショットとして再現し、カット編集でつなぐ。ボード上をカメラが移動する演出や、コマへズームして入る演出は禁止。文字は最終ショットのコピーと店名のみ表示する。【人物と商品の一貫性】全カットで、参照画像と同じ20代後半の日本人女性パン職人。黒髪を低い位置でまとめ、生成りのキャップ、白いコックシャツ、ベージュのエプロンを着用する。顔、体格、髪形、帽子、衣装を変化させない。作業中は穏やかに集中し、接客時には参照画像のような自然な笑顔を見せる。熱い天板を扱う06では、両手に厚手の耐熱ミトンを着ける。主役のパンは、参照画像と同じ丸いカンパーニュ。焼き上がりの深いきつね色、十字に開いたクープ、薄く残った打ち粉、粗いクラストを維持する。生地と焼き上がったパンの違いは、工程ごとのカット切り替えで表現する。【ショット構成】0.0–1.0秒｜01：街より早い朝夜明けの青みが残る住宅街のパン屋。参照画像と同じ木枠のガラス扉と窓から、温かな灯りがこぼれる。店内では女性パン職人が小さく手を動かし、開店前の準備をしている。カメラは店舗へごく緩やかに寄る。静かな街と温かな厨房の対比。1.0–2.0秒｜02：小麦粉を量る参照画像と同じ斜め正面のミディアムショット。女性が金属の容器を傾け、秤の上のステンレスボウルへ小麦粉を細く注ぐ。片手は容器を持ち、もう片方は秤の脇に添える。粉は重力に従って落ち、ボウルの中に収まる。空中へ派手に舞い上がらせない。2.0–3.0秒｜03：生地をこねる手元の接写。参照画像の両手の位置を起点に、手の付け根で生地をゆっくり押し込む、一度の短い動作。生地が圧力で横へ広がり、弾力を残してわずかに戻る。指と生地の接触、表面のしっとり感、作業台の打ち粉を自然に描く。3.0–4.0秒｜04：発酵を見極める発酵かごの生地を見つめる女性の横顔。参照画像と同じ構図で、指先を生地へ軽く押し当て、そっと離す。表面に小さなへこみが残る。視線は指先と生地に向けたまま。カメラはほぼ固定し、静かな集中を見せる。4.0–5.0秒｜05：クープを入れる生地とクープナイフのマクロショット。参照画像の切り込みを引き継ぎ、刃先を短く引いて十字の最後の一辺を仕上げる。刃が触れた部分だけが浅く開く。支える手は刃の進行方向から離し、天板と生地は安定させる。切り込みが勝手に増えたり、深く裂けたりしない。5.0–6.2秒｜06：焼き上がりオーブンの前に立つ女性を横から捉える。両手の耐熱ミトンで天板の左右を支え、焼き上がったカンパーニュをゆっくり引き出す。天板は水平に保ち、パンは天板上の同じ位置に留まる。オーブンの暖かな光が、香ばしいクラストとクープを照らす。立ち上る熱気はごく控えめ。炎や大量の煙は出さない。6.2–7.3秒｜07：お客様へ手渡す木製カウンター越しの接客シーン。女性が自然に微笑み、カンパーニュの入った紙袋をお客様へ差し出す。参照画像と同じく、お客様は画面左の後ろ姿と手を中心に映す。お客様が袋を受け止めてから、女性が支えていた手を離す。紙袋は自然に少したわみ、パンの上部が袋の口から見える。7.3–8.4秒｜08：朝の食卓参照画像と同じ、パンを両手で割る接写。すでに中央が開き始めたパンを、左右へ数センチだけゆっくり引き離す。内側が自然にほどけ、薄いクラストから小さなパンくずが木のボードへ落ちる。背景には白いカップ、バター、サラダが柔らかくぼけて見える。パンの内側は柔らかく、大小の気泡を保つ。チーズのようには伸びない。8.4–10.0秒｜09：商品とブランド参照画像の最終コマを、全画面の商品広告カットとして再現する。アイボリーの背景。右側の丸い木製ボードにカンパーニュと切り分けたスライス。左側にダークブラウンの文字で、「今日を、焼きたてに。」その下に、「こむぎ日和」を、参照画像と同じ配置と書体の雰囲気で鮮明に表示する。文字列は引用符を付けず、正確にそのまま、それぞれ一度だけ表示する。ショット開始時点から全文を見せ、10.0秒まで固定して読みやすさを保つ。商品、文字、背景の位置は動かさず、柔らかな光でクラストと断面の質感を見せる。【映像表現】日本の街のベーカリーによる、高品質で親しみのある実写CM。小麦色、きつね色、生成り、木のブラウン、自然な白を中心にする。冒頭は夜明けの青みと店内の暖色を対比させ、その後は柔らかな朝の自然光へつなげる。過剰なオレンジ色の加工は避ける。肌、布、生地、打ち粉、パンの焼き目を実在する質感で描写する。背景は自然にぼかし、手元と作業内容は明瞭に見せる。各ショットの動きはひとつに絞り、短い時間でも丁寧な仕事が伝わるようにする。【編集】小麦粉が落ちる、生地を押す、指を離す、刃を引く、天板を引き出す、袋を渡す、パンを割る動作を、短いハードカットでつなぐ。全体を10秒に収め、早回しではなく工程の印象的な一瞬を切り取る。工程間の時間経過はカットで省略する。発酵や焼成を同一ショット内で急速に進めない。分割画面、コラージュ、モーフィング、派手なトランジションは使用しない。【サウンドデザイン】柔らかなピアノと、控えめなアコースティックギターによるオリジナルのインストゥルメンタル。小麦粉が落ちる音、生地を押す鈍い音、天板が滑る音、紙袋のかすかな音、クラストが割れる軽い音を、各動作に同期させて自然に重ねる。効果音は誇張せず、手仕事の距離感を感じさせる音量にする。7.3秒頃から、温かく落ち着いた成人女性の声で、「今日を、焼きたてに。こむぎ日和。」と自然な速さで読み、10.0秒までに読み終える。店名の読みは「こむぎびより」。ナレーション中は音楽と効果音を少し下げる。接客の会話や追加のナレーションは入れない。【避ける要素】9コマボードの直接表示、枠線、コマ番号、分割画面、追加の字幕、指定外の文字やロゴ、透かし。人物の顔や衣装の変化、手指の変形、調理器具の破綻、浮遊する物体。素手で熱い天板を持つ描写、不安定な天板、パンを貫通する手や道具。大量の粉煙、過剰な湯気、炎、焦げすぎたパン、不自然な光沢、伸びすぎるパンの内側。急激なカメラ回転、過剰なスローモーション、早回し、物体同士のモーフィング。

By@Alin_Reaper05·OCT 7, 2026

View full prompt & copy A three-shot darkly humorous sci-fi commercial scene in the visual style of The Outer Worlds (2019): bright corporate branding, retro product packaging, exaggerated mascot design, worn frontier environments, detailed stylized game-engine characters.SHOT 1: Camera glides toward a cheerful general store beneath towering pipes and tangled electrical cables. A weary employee wearing a huge smiling moon-shaped mascot helmet waves beside the entrance.SHOT 2: Medium shot. The employee presents a small bottled beverage with theatrical enthusiasm. His muffled, exhausted voice says: “If this doesn't improve your life, try lowering your expectations.”SHOT 3: He inserts the bottle into a demonstration machine. The machine coughs, rattles, and ejects it onto the pavement. He looks down, then slowly resumes waving with the same enormous artificial smile.Warm afternoon sunlight, turquoise and orange storefront colors, squeaking costume joints, cheerful advertising jingle abruptly interrupted by mechanical failure. No subtitles or interface.

By@Diplomeme·OCT 3, 2026

View full prompt & copy 30 seconds | 16:9 | premium Red Bull action commercial / cinematic storytelling | 2024–2026 commercial grade | MULTISHOTCORE CONCEPTA quiet late-night convenience store in Seoul suddenly becomes the setting for a fast, grounded action sequence. A young female receptionist is working alone behind the counter while a young male customer is already inside the store. Two thieves suddenly burst into the store and threaten the receptionist. The customer remains calm, walks to the refrigerator, takes a cold Red Bull can, opens it and takes a drink before stepping into action. What follows is a tightly choreographed physical confrontation in which he protects the receptionist and forces the thieves to retreat. The film feels like a premium Red Bull commercial combined with contemporary Korean action cinema and high-end fashion cinematography. The story should feel photographed rather than generated, with realistic human reactions, physical weight, environmental imperfections and motivated camera movement.CHARACTERONE RECEPTIONIST — young adult woman working the late-night shift at a modern Seoul convenience store. Natural attractive appearance, realistic skin texture, contemporary Korean-inspired convenience-store uniform, natural hairstyle, minimal makeup, subtle accessories. Same face, clothing, hairstyle, proportions and accessories throughout the entire CUSTOMER — young adult male with an athletic but believable physique, contemporary dark streetwear, clean sneakers, minimal accessories and natural hairstyle. Calm, observant personality. He does not initially appear to be an action hero. Same face, clothing, hairstyle, proportions and accessories throughout the entire film.TWO THIEVES — adult men wearing dark everyday clothing and simple face coverings. Aggressive and threatening but grounded and realistic. No exaggerated villain costumes.SETTINGModern Seoul convenience store at night. Bright fluorescent interior lighting mixed with cool refrigerator illumination and warm streetlights visible through the front glass. Fully stocked beverage refrigerators, narrow product aisles, checkout counter, automatic entrance doors, Korean product packaging, realistic customers and nighttime street activity outside. The store should feel like a real operating convenience store rather than a constructed movie set. Maintain the same physical layout throughout the entire film.STORY — MUSIC-DRIVEN MULTISHOT VISUALS00:00–02.5 — QUIET NIGHT50mm observational shot behind the checkout counter. The female receptionist organizes receipts and checks the register while the store remains quiet. Refrigerator compressors hum in the background. A few distant pedestrians pass outside the glass doors. The male customer walks slowly through the beverage aisle. Camera observes rather than perfectly framing him. Natural fluorescent light, realistic skin texture and subtle handheld micro-movement.02.5–05 — THE CUSTOMER85mm close-up through the refrigerator glass. The customer pauses in front of the Red Bull section. Cold condensation covers the cans. He looks at them briefly but does not take one yet. His reflection overlaps the illuminated refrigerator shelves. Cut to the receptionist looking down at the register. Everything remains calm and ordinary.05–07.5 — THE INTERRUPTION35mm handheld shot toward the entrance. The automatic doors suddenly open hard as two thieves rush inside. The receptionist immediately looks up. One thief moves toward the counter while the second blocks the entrance. Background customers react naturally and quickly move away. The camera operator reacts with a small physical movement rather than an artificial camera shake. Music abruptly changes.07.5–10 — THE RED BULL50mm close-up. The male customer remains calm. He turns toward the refrigerator, opens the glass door and takes a cold Red Bull can. Cold vapor escapes from the refrigerator. Condensation runs down the aluminum can. He opens it with a sharp natural PSHHHT and takes one controlled drink. The thieves remain visible in soft focus behind him. The receptionist looks toward him with confusion and fear. He places the can down and begins walking toward the confrontation.10–12.5 — FIRST MOVE35mm handheld tracking shot. One thief grabs the receptionist's arm. The customer immediately intervenes. He grabs the thief's wrist and pulls him away from her. The thief swings toward him. The customer ducks naturally and the punch hits the counter. The receptionist steps backward in shock. The camera remains close to the action while preserving clear spatial geography.12.5–15 — THE AISLE24mm wide shot. The second thief charges toward the customer. The customer moves backward through a narrow product aisle. The thief follows aggressively. Shelves shake from the physical movement. Several products fall naturally onto the floor. The customer sidesteps an incoming strike and the thief crashes into a display. No exaggerated martial arts or impossible movements. Every body movement has realistic weight and momentum.15–17.5 — THE RECEPTIONIST50mm close-up. The receptionist moves toward the emergency exit while looking back at the confrontation. Her breathing becomes visible in her facial expression. A product falls beside her. She quickly grabs the store phone. In the background, the customer continues struggling with the first thief. The camera briefly shifts focus from her face to the action behind her.17.5–20 — THE TURN35mm handheld medium shot. The first thief attempts to reach the receptionist again. The customer steps directly between them. Brief eye contact. He pushes the thief backward into the checkout counter. The thief loses balance and falls against the counter. The second thief realizes the situation is turning against them.20–22.5 — ESCAPE24mm wide shot toward the entrance. The second thief turns and runs through the automatic doors into the Seoul night. The first thief gets up and follows him. The doors close behind them. The camera remains inside the store. Street traffic continues outside as if nothing happened.22.5–25 — SILENCE50mm intimate shot. The store becomes quiet again. The receptionist stands behind the counter, breathing heavily. The customer looks toward her. They exchange a brief silent glance. No exaggerated dialogue. The tension slowly disappears.25–27.5 — THE CAN50mm product close-up. The customer walks back toward the refrigerator. The Red Bull can he opened earlier is still sitting where he left it. He picks it up. Cold condensation remains visible on the aluminum. He takes another small drink. The receptionist watches him from behind the counter.27.5–30 — FINAL EXIT35mm tracking shot from inside the store. The customer walks toward the automatic doors and exits into the Seoul night holding the Red Bull can. The receptionist watches through the glass. Neon reflections move across the window. Camera slowly tracks backward as he disappears into the city. Cut precisely on the final musical beat.CAMERA35mm and 50mm for narrative and action sequences, 24mm for environmental scale and physical geography, occasional 85mm compression for intimate character and product moments. Handheld and physically motivated tracking movement. Camera operator should react naturally to sudden action rather than producing artificial shake. Use shallow depth of field for close-ups and deeper focus during action so spatial relationships remain readable. Natural autofocus adjustments, realistic exposure adaptation, foreground obstruction and imperfect framing. No impossible camera movement, no floating camera, no videogame movement, no excessive orbital shots.VISUAL / COLOR SETTINGPremium Red Bull action commercial / contemporary Korean action film / high-end fashion cinematography, 2024–2026 commercial grade. Photoreal cinema, subtle filmic grain, mild halation around practical lights, realistic skin texture, controlled contrast, deep but detailed shadows, cool fluorescent interiors, saturated but believable Red Bull red accents and warm Seoul streetlights.COLOR GRADECool blue and neutral convenience-store interiors contrasted against warm nighttime Seoul street lighting. Red Bull red remains visually distinctive without becoming artificially saturated. Maintain realistic skin tones, natural blacks and believable highlight roll-off. No excessive teal-orange grading and no artificial HDR.MOTION180-degree cinematic shutter, natural motion blur on bodies, clothing and moving objects, 24fps. Physical weight and inertia must be visible in every action. Characters should accelerate, stop and change direction naturally. Clothing reacts to movement. Products fall with believable trajectories. Shelves shake realistically when struck. No superhero physics, wire-fu or impossible movement.LIGHTINGCool fluorescent ceiling lights, blue refrigerator illumination, warm streetlights outside, practical convenience-store lighting and realistic reflections across glass and polished surfaces. Lighting must originate naturally from the environment. Maintain consistent light direction and exposure within each shot. The Red Bull refrigerator provides a controlled cool-white product illumination.AUDIOPremium contemporary Red Bull action soundtrack with restrained Korean urban textures. Music begins minimal during the quiet store sequence, abruptly intensifies when the thieves enter, accelerates during the confrontation and resolves during the final exit. Keep authentic location sound underneath: refrigerator hum, automatic door chime, register sounds, footsteps, Korean street ambience, distant traffic, product impacts, shelves shaking, breathing, clothing movement and the sharp opening sound of the Red Bull can. Briefly reduce the music during the first confrontation to emphasize physical sound.REALISMNo CGI look, no plastic skin, no beauty-filter smoothing, no exaggerated facial expressions, no extra fingers, no warped anatomy, no artificial crowd synchronization, no impossible reflections, no floating objects, no exaggerated destruction, no supernatural strength, no unrealistic martial arts, no weightless movement. Realistic skin pores, hair strands, fabric texture, aluminum condensation, glass reflections, product physics, environmental sound and human reactions.BRAND CONTROLThe Red Bull can must retain accurate proportions, recognizable Red Bull visual identity and realistic aluminum material. The can appears naturally inside the refrigerated product section before becoming part of the action. Do not invent additional Red Bull logos, advertisements, storefront branding or branded products. Do not distort the logo or can geometry. No watermarks or random UI.EDITINGMusic-synchronized commercial editing without excessive effects. Cuts are motivated by movement, eye-lines, physical impacts, product actions, reflections, foreground obstruction and changes in sound. Use clean match cuts between the refrigerator, confrontation and final product moment. Build tension progressively: quiet store → sudden intrusion → product interaction → physical confrontation → silence → product payoff. Avoid generic AI transitions, artificial zooms, excessive whip transitions, glitch effects and over-edited montage pacing.CONTINUITYThe receptionist remains identical throughout all shots. The customer remains identical throughout all shots. Both thieves remain consistent. Maintain the exact convenience-store layout, refrigerator position, checkout counter, entrance and aisle geography. The Red Bull can must remain the same physical object throughout the sequence. The customer must already be inside the store before the thieves enter. The can must be physically taken from the refrigerator before the action begins. Maintain continuous nighttime lighting and environmental conditions throughout the QUALITY TARGETThe final film should look like a genuine high-budget Red Bull commercial captured by an elite Korean action-film and advertising crew — not a collection of AI-generated action shots. The viewer should first become comfortable inside an ordinary late-night convenience store, then experience a sudden interruption, immediately wonder who the quiet customer is, and remain attached to the confrontation until the final product payoff. The commercial polish comes from cinematography, physical choreography, sound design, editing, product integration and believable human performance.

By@Diplomeme·OCT 16, 2026

View full prompt & copy High-octane, hyper-realistic automotive commercial for the Kia Seltos, shot with the visual intensity of a Christopher Nolan-style cinematic production using actual 70mm IMAX cameras. Fast-paced multi-shot editing with quick, cinematic cuts timed at exactly one shot every 2 seconds across a complete 30-second timeline. The champagne-gold Kia Seltos, matching the exact vehicle design in the provided reference images, charges through a dense forest road surrounded by towering trees and dappled sunlight. High-contrast Nolan-esque color grading with deep shadows, cold teals, warm champagne-gold reflections, and bright highlights. Sunlight pierces through the forest canopy, reflecting across the sculpted bodywork, signature vertical LED daytime running lights, black front grille, muscular wheel arches, and distinctive rear light bar. Rapid sequence of intense cuts:•Shot 1 (0-2s): Ground-level cinematic establishing shot of an empty winding forest road, towering trees casting deep shadows as sunlight breaks through the canopy. The distant engine note of the approaching Kia Seltos builds tension.•Shot 2 (2-4s): Low eye-level tracking shot of the champagne-gold Kia Seltos emerging between the trees, accelerating along the forest road and revealing its bold front grille, distinctive vertical LED lighting signature, and commanding SUV stance.•Shot 3 (4-6s): Tight, detailed close-up of the front fascia, Kia emblem, illuminated LED daytime running lights, glossy black grille elements, and champagne-gold paint reflecting the passing forest.•Shot 4 (6-8s): Dramatic low-angle tracking shot moving alongside the front wheel as the alloy spokes spin rapidly, tires maintain realistic contact with the asphalt, and the SUV’s sculpted bodywork catches streaks of sunlight.•Shot 5 (8-10s): Fast lateral tracking shot revealing the complete side profile, muscular wheel arches, black lower-body cladding, door contours, windows, roofline, and metallic champagne-gold finish as the Kia Seltos sweeps through the forest.•Shot 6 (10-12s): Low-angle handheld-style camera whip-pan from the road surface to the SUV’s front three-quarter profile as it exits a sweeping bend, with realistic suspension movement, controlled body roll, and natural background motion blur.•Shot 7 (12-14s): Extreme close-up of sunlight traveling across the sculpted hood, Kia emblem, sharp body creases, and vertical LED lights, emphasizing precise automotive design and premium paint reflections.•Shot 8 (14-16s): Rear three-quarter tracking shot following the Kia Seltos through the forest, showcasing the distinctive rear light bar, angular vertical taillights, rear spoiler, sculpted tailgate, and authentic model badging.•Shot 9 (16-18s): Dynamic wheel-height tracking shot as the SUV drives across alternating patches of sunlight and shadow, capturing realistic tire rotation, subtle road texture, reflections along the lower doors, and the movement of the suspension over natural road undulations.•Shot 10 (18-20s): High-angle wide shot of the Kia Seltos commanding a sweeping forest road, surrounded by towering trees and atmospheric shafts of sunlight, with the winding asphalt leading the eye toward the moving SUV.•Shot 11 (20-22s): Fast front-facing tracking shot of the Kia Seltos approaching the camera along a straight section of forest road, its LED lights illuminated and grille dominating the frame as the camera smoothly retreats ahead of the vehicle.•Shot 12 (22-24s): Rapid cinematic transition into a close rear tracking angle as the SUV accelerates away through the trees, the rear lighting signature glowing against the darker forest and the road markings sweeping beneath the frame.•Shot 13 (24-26s): Dramatic low-angle front three-quarter hero shot as the Kia Seltos exits the forest bend and enters a naturally illuminated clearing, revealing its full stance, champagne-gold bodywork, alloy wheels, and signature front lighting.•Shot 14 (26-28s): Controlled cinematic orbit around the stationary Kia Seltos at a scenic forest-road pull-off, transitioning from the front three-quarter view toward the side and rear profile while the surrounding trees and golden sunlight create a premium automotive campaign atmosphere.•Shot 15 (28-30s): Hard cut to black with a final sweep of light revealing the KIA emblem followed by the SELTOS model name and the campaign tagline: “OWN EVERY TURN.” End with a powerful, clean, premium automotive advertising finish.Raw automotive documentary-style camera textures, organic lens flares, lifelike vehicle physics, authentic wheel rotation and tire contact, realistic suspension movement, natural road reflections, physically accurate metallic paint reflections, cinematic motion blur, subtle engine vibration, and an immersive forest-road atmosphere. Preserve the exact Kia Seltos identity, champagne-gold exterior color, front grille design, LED lighting signatures, alloy wheels, body proportions, side profile, and rear design from the provided reference images throughout every shot. Maintain consistent vehicle geometry, wheel design, lighting signatures, paint color, and branding across all 15 shots. No vehicle redesign, no morphing, no inconsistent body panels, no incorrect logos, no artificial CGI appearance, no impossible driving maneuvers, no exaggerated visual effects, and no abrupt changes in road geography. Ultra-detailed, 4K resolution, premium global automotive advertising quality.

By@WorldEverett·SEP 30, 2026

View full prompt & copy A cinematic luxury interior advertisement showcasing the living room in the reference image. No people, no typography. Preserve the furniture, layout, and cream, black, and gold palette. Gentle orchestral music blended with atmospheric alternative rock.First 3 seconds: rapid 0.5–1-second cuts between floor-level chair details, an overhead view of the seating, and a dramatic low-angle wide shot. Shot 1: Low-angle orbit around the cream armchair, emphasizing its sculptural black-and-gold shell. Push close to the upholstery, then transition behind the chair into the next shot. Shot 2: High-angle sweeping view of the living room, descending toward the marble coffee table. Window shadows stretch across the wooden floor; sunlight glints on gold surfaces. Shot 3: Fast lateral glide past the black chairs, close to floor level. Tilt upward from their gold bases toward the windows and circular ceiling lights. Whip-pan into the next shot. Shot 4: Rapid extreme close-ups of fabric, marble veins, gold textures, and delicate plant shadows. Dynamic match cuts between curved chair edges, the round table, and glowing ceiling rings. Shot 5: Start low behind the cream armchair, then rise in a sweeping arc to reveal the entire room from a high angle. Ease into a striking final wide shot. Alternate dramatic high and low angles, fluid camera movements, foreground wipes, and sharp rhythmic cuts. Emphasize shadow play, dappled sunlight, rich contrast, reflections, and shifting focus. Keep furniture stationary and geometry consistent.

By@towya_aillust·SEP 29, 2026

View full prompt & copy 30-second cinematic live-action commercial featuring the woman from the supplied reference image and the fictional protein drink “RUNELIQ BANANA 15.”Use the supplied woman reference image as the visual basis for the main character. MAIN CHARACTER A young adult woman with a short natural blonde bob haircut, fair skin, light-colored eyes, and a fresh, calm appearance. She wears a simple light-blue short-sleeve athletic T-shirt and matching sporty summer clothing. Her styling should remain minimal, clean, natural, and realistic. She has just finished a light jog or brisk walk through the city. Maintain the same facial appearance, hairstyle, body proportions, clothing style, and overall natural atmosphere as the supplied reference image. Do not turn her into a fantasy character. PRODUCT RUNELIQ BANANA 15: A slim 400 mL bottle containing a smooth pale-yellow banana protein drink. The bottle has a yellow cap and a clean cream-colored label with navy typography and yellow accents. The front label prominently features: “RUNELIQ” “PROTEIN DRINK” a large navy “15” “PROTEIN 15 g” “SMOOTH BANANA” “400 mL” Keep the product bottle visually consistent with the supplied product reference. Do not redesign the bottle, cap, label, logo, typography hierarchy, or color scheme. SETTING A bright summer city street with trees and greenery, matching the atmosphere of the supplied woman reference. Clean modern pedestrian walkway, soft urban architecture in the distance, roadside trees, warm daylight, and a calm post-workout atmosphere. The location should feel realistic, relaxed, and premium rather than crowded or overly commercial. The overall color palette should feel fresh and restrained: light blue, soft green, cream, banana yellow, and clean neutral tones. STRUCTURE 0–5 seconds: Begin with a cinematic side-follow tracking shot. The woman is lightly jogging through a quiet summer city street lined with trees. Her pace is natural and relaxed rather than intense athletic training. Sunlight filters softly through the leaves. Her short blonde hair moves gently in the breeze. The camera alternates between: a medium side-follow shot, a brief close-up of her running shoes touching the pavement, and a natural close-up of her face. She gradually slows to a walk. BGM begins immediately: bright, light, modern commercial music with soft acoustic guitar, gentle percussion, subtle electronic rhythm, and a fresh summer feeling. 5–10 seconds: The woman reaches a shaded bench or resting area beside the walkway. She takes a slow breath and wipes a small amount of perspiration from her forehead. She reaches into a small sports bag or picks up a chilled RUNELIQ BANANA 15 bottle placed beside her belongings. Cut to a clean product close-up. Condensation is visible on the bottle. The pale banana-colored drink, yellow cap, cream label, navy typography, and large “15” are clearly visible. Use a soft focus pull from the condensation droplets to the product label. 10–15 seconds: The woman opens the yellow cap. Include a realistic cap-opening sound. She takes a natural sip. Use a medium close-up. Her expression subtly relaxes. She looks toward the camera with a small, satisfied smile. Woman: 「動いたあとに、ちょうどいい。」 The delivery should feel conversational and calm, not like a loud announcer. 15–20 seconds: The woman continues walking slowly along the tree-lined sidewalk while holding the bottle. Cut between: a relaxed medium walking shot, a close-up of the bottle in her hand, and a soft profile shot of her enjoying the summer air. Woman: 「まろやかなバナナ味で、たんぱく質15グラム。」 During the bottle close-up, keep the large “15” and product branding clearly visible. Do not introduce unrelated text overlays. 20–25 seconds: The woman sits briefly on a bench under the trees. She looks at the bottle, then toward the city street ahead. The atmosphere feels light and unhurried. She gently raises the bottle toward the camera. Woman: 「400ミリリットルだから、運動のあとにも飲みやすい。」 Keep this line casual and natural. Do not imply medical benefits, recovery effects, muscle growth, or performance enhancement. 25–30 seconds: Transition into a polished product hero shot. RUNELIQ BANANA 15 stands upright on a clean light-colored surface in natural summer daylight. A fresh banana is placed beside the bottle. A few banana slices may be arranged subtly near the base. The woman remains softly visible in the background, slightly out of focus, standing beneath green trees. She looks toward the camera with a relaxed smile. Final spoken line: Woman: 「RUNELIQ BANANA 15。」 Optional short closing voice line: Woman: 「動いたあとを、軽やかに。」 End with a slow cinematic push-in toward the bottle. The BGM resolves with a clean, light musical finish. VISUAL STYLE Photorealistic live-action Japanese beverage commercial. Fresh, modern, summery, natural, and premium. The woman should look like a real person photographed outdoors with a real camera. Use: natural human skin texture, subtle perspiration after exercise, realistic short blonde hair strands, natural light-blue athletic fabric, physically believable bottle plastic, real condensation, realistic translucent pale-yellow liquid, and soft natural daylight. Use realistic exposure, gentle contrast, restrained saturation, and soft highlights. Avoid: CGI-looking skin, 3D-render appearance, plastic skin, heavy beauty filters, excessive commercial gloss, overexposed highlights, oversaturated colors, or artificial bloom. The bottle should remain sharp and visually accurate whenever it becomes the main subject. CAMERA STYLE 0–5 seconds: smooth side-follow jogging shot, short running-detail inserts. 5–10 seconds: medium resting shot followed by clean product close-up. 10–15 seconds: medium close-up during cap opening and drinking. 15–20 seconds: gentle walking follow shot mixed with bottle close-up and profile coverage. 20–25 seconds: stable medium lifestyle shot with subtle slow push-in. 25–30 seconds: premium product hero shot with shallow depth of field and a very slow push-in. Use realistic commercial focal lengths, natural depth of field, subtle motion blur, smooth focus pulls, and restrained handheld micro-movement. AUDIO BGM throughout the full 30 seconds. Music style: light acoustic guitar, soft percussion, subtle modern electronic rhythm, gentle bells or light melodic accents, fresh summer commercial feeling, clean and uplifting tempo. The BGM should never overpower the dialogue. Environmental sounds: light summer breeze, soft footsteps, distant city ambience, leaves moving gently, subtle breathing after exercise. Product sounds: cap opening, light bottle handling, natural drinking sound. DIALOGUE All spoken dialogue is in natural Japanese. Woman: 「動いたあとに、ちょうどいい。」 Woman: 「まろやかなバナナ味で、たんぱく質15グラム。」 Woman: 「400ミリリットルだから、運動のあとにも飲みやすい。」 Woman: 「RUNELIQ BANANA 15。」 Optional closing line: 「動いたあとを、軽やかに。」 IMPORTANT No subtitles. No unrelated on-screen text. No extra logos. No fantasy elements. No magical effects. No exaggerated reactions. Maintain exact visual consistency with the supplied woman reference image. Keep: short blonde bob hairstyle, light-blue athletic clothing, fair skin, natural makeup, and realistic summer sports styling consistent throughout all shots. Keep the RUNELIQ BANANA 15 bottle visually consistent with the supplied product reference. The commercial should clearly communicate: smooth banana flavor, 15 g protein, 400 mL bottle, post-activity convenience. Do not add unsupported medical claims. Do not claim recovery effects. Do not claim muscle growth. Do not claim improved performance. Do not claim health benefits beyond the supplied product information. The final impression should feel fresh, light, urban, natural, and premium.

By@minchoi·SEP 29, 2026

View full prompt & copy A premium product ad for [Fernloch] sparkling birch water: a clear glass bottle of crystal-clear sparkling water with fine bubbles, its dark-green label reading "FERNLOCH" and "SPARKLING BIRCH WATER". Clean, bright commercial style, four shots. 0s–3s: Macro close-up sliding slowly along the bottle; the label fills the frame, fine bubbles rising inside, condensation beading on the glass. 3s–7s: Side angle at counter height. [Jules]'s hand in a rust-orange coat sleeve lifts the bottle by its shoulder and pours crystal-clear sparkling water into a heavy glass tumbler as fine bubbles race up. 7s–11s: Front angle, label facing the camera. She sets the bottle down upright beside the full glass. 11s–15s: Medium shot across the counter. [Harry]'s hand in an olive jacket sleeve takes the bottle by the neck and lifts it toward the lens, label facing the camera.Soft window light from the left, pale oak counter, warm-white wall, the label crisp and readable in every shot, gentle fizz and a soft glass clink.

By@AiwithBloodline·OCT 12, 2026

View full prompt & copy Create a continuous 10-second vertical 9:16 ultra-photorealistic CGI automotive commercial. 0–3s: Static first-person POV inside a pure white minimalist garage. Two male hands in black gloves appear. A metallic green widebody Porsche 911 stands at a front 3/4 angle. The right hand swipes left, sending the Porsche sliding off-screen. A bright orange Mercedes-AMG GT with black aerodynamic details rapidly enters from the right, overshoots, bounces back and stops. The left hand swipes left, removing the Mercedes. A glossy red 1969 Ford Mustang Fastback with black hood stripes, black sports wheels, wide tires and aggressive lowered suspension slides in from the right and locks into the same position. The right index finger points at the Mustang to select it. 3–5s: The camera pushes closer as the white garage physically transforms: floor panels fold outward, revealing golden sand; massive walls unfold like origami, exposing endless desert dunes; ceiling panels retract, revealing a clear blue sky. Bright sunlight illuminates the stationary Mustang. Camera performs a fast cinematic 180° orbit. 5–7s: Extreme close-up of the Mustang's front grille. Headlights illuminate, the powerful V8 engine starts with a deep roar, and the body vibrates. Camera rapidly tracks along the hood toward the exhaust and rear wheel. The rear tire spins violently, throwing sand backward. Suspension compresses as engine RPM rises. 7–10s: The Mustang launches explosively straight toward the camera, spraying sand behind it. Low frontal camera retreats rapidly, then dodges sideways as the car blasts past. Camera whips around into a fast 180° tracking orbit, revealing the side profile, rear lights and massive dust trail. Finally, the camera overtakes the speeding Mustang and captures a dramatic low front 3/4 hero shot against golden dunes and blue sky. Powerful V8 roar, hard brake, instant cut. Realistic physics, aggressive speed ramps, seamless transitions, cinematic motion blur, mechanical folding sounds, swipe whooshes, tire screeches and authentic engine audio. Preserve exact car identities, classic 1969 Mustang proportions, consistent colors and spatial continuity. No morphing, teleportation, extra objects or text.

By@yourPlugAI·OCT 14, 2026

View full prompt & copy [ENGINE DIRECTIVE]Generate a continuous 20-second hyper-realistic live-action sequence using Kling 4.0 Flash at 120fps ultra-realism in 16:9 widescreen format. Maintain 100% strict visual consistency with provided asset sheets: "Director Tae-hyun" (black velvet tuxedo, silver ring) and "Director Seo-yeon" (emerald silk gown, red lipstick). Setting strictly follows "Mirror-Lined Luxury Fitting Room". Style: High-fashion romance cinema, infinite mirror reflections, razor-thin physical proximity, slow-motion breath drops, 5-second emotional beats. [AUDIO DIRECTIVE] MUSIC: Low velvet jazz trumpet motif bleeding into a deep, pulsing sub-bass electronic heartbeat. SOUND DESIGN: Heavy brass lock CLICK, sudden curtain silk rustle, fast intake of breath, rustling velvet. [TIMELINE BREAKDOWN] 00:00 - 00:05 | LOCK SNAP & SILK TANGLE (HOOK) VISUAL: Sudden high-speed macro zoom onto the heavy brass door lock snapping shut outside. ACTION: Seo-yeon spins around startled; the trailing tail of her emerald silk dress catches on Tae-hyun’s velvet tuxedo jacket button, pulling her forcefully into his chest. Tae-hyun instinctively extends both hands, trapping her against the antique full-length mirror. DIALOGUE (SEO-YEON): "뭐 하는 짓이에요?!" (What are you doing?!) SOUND: Heavy brass LOCK SNAP, sharp silk tear risk WHOOSH, mirror glass vibration HUM. 00:05 - 00:10 | INFINITE MIRROR REFLECTIONS & TAPE MEASURE VISUAL: Dynamic camera tracking through three parallel mirror reflections simultaneously, capturing their breathing locked inches apart. ACTION: In speed-ramped slow motion, Tae-hyun’s fingers slowly unhook a golden silk measuring tape tangled between their chest lapels, his knuckles grazing the side of her neck. DIALOGUE (TAE-HYUN): "가만히 있어요. 원단 찢어집니다." (Stay still. You'll tear the silk.) SOUND: Soft silk sliding friction, slow rhythmic heartbeat pulse, breathing echo. 00:10 - 00:15 | LIP GAZE & BREATH CONDENSATION VISUAL: Low-angle close-up under warm chandelier glow focusing on Tae-hyun’s eyes. ACTION: Tae-hyun’s intense gaze drops down to her red lips before snapping back to her eyes. Seo-yeon exhales heavily, her chest rising against his tuxedo lapel as warm breath fogs the cold glass behind her head. DIALOGUE (SEO-YEON): "손부터 치우시죠." (Remove your hands first.) SOUND: Deep jazz trumpet chord swell, isolated slow-motion exhale, distant runway music thud outside. 00:15 - 00:20 | MIRROR LEAN & ACCIDENTAL DRESS PINCH VISUAL: Macro side-profile shot of their silhouettes reflected infinitely in gold frame mirrors. ACTION: Seo-yeon attempts to pull away, but her knee catches the high slit of her dress against his leg. Tae-hyun leans in closer to steady her, his shoulder pressing against hers as both freeze in an intense, unblinking gaze. DIALOGUE (TAE-HYUN): "움직일수록 더 엉킵니다." (The more you move, the more we tangle.) SOUND: High-heel scrape on carpet, velvet jacket rustle, rising violin chord.

By@ViralOps_·OCT 8, 2026

View full prompt & copy use this prompt:"write a 90-second emotional drama ad for [your product]. start with a SHOCKING moment, introduce 2-3 characters, build tension with natural dialogue, and make the problem worse before revealing the product as the solution. split the story into short 5-8 second scenes." now you have your entire story ready. STEP 3: create your characters. use GPT Image or Nano Banana to generate images of your characters. create a clear reference image for each person so their face, hair and clothes stay the SAME in every scene. also create images of your main locations. STEP 4: turn everything into VIDEO. use Seedance, Kling or Veo to bring your scenes to life. generate each 5-8 second scene separately using your character references. include the dialogue, action and emotions in every prompt. this is where your mini movie starts becoming REAL. STEP 5: reveal the PRODUCT. upload a real image of your product. create the moment where it becomes part of the story and solves the character's problem. make sure the product looks correct and don't invent results it can't deliver. STEP 6: put everything together. use CapCut to join the scenes, add captions, music and sound effects. keep the opening FAST, build tension in the middle, and finish with a satisfying payoff. export in 9:16 and test different opening scenes. and BOOM... you just created your own AI DRAMA ad. instead of BEGGING people to watch your ads... you're making something they actually WANT to finish. this is attention hacking on STEROIDS.

By@Ukiyo_il·SEP 30, 2026

View full prompt & copy OOTORO NIGIRI / 20 SEC Use the uploaded reference image as the exact identity and visual reference for the adult female sushi chef. Preserve her: face and facial proportions dark hair tied elegantly back refined makeup glossy lips graceful hands mature feminine presence white sushi-chef jacket dark waist sash elegant body proportions sophisticated, alluring expression Keep her recognizable throughout the entire film. She is a stunning adult female itamae, breathtakingly beautiful, poised, seductive, and highly professional. Her sensuality should come from eye contact, controlled breathing, graceful hand movements, posture, lips, and restrained facial expressions rather than exaggerated posing. The setting is an ultra-luxury Japanese omakase sushi restaurant, with warm hinoki wood, dark stone, lacquerware, subtle gold accents, soft amber practical lighting, elegant ikebana, calligraphy, and intimate counter seating. The atmosphere should feel exclusive, quiet, expensive, and sensual. No dialogue. No presenter behavior. No exaggerated erotic gestures. The sensuality must remain elegant, refined, and cinematic. 0:00–0:02.0 — OOTORO SLICE Start with action already underway. Extreme macro beside a long sushi knife. The chef is already slicing through a luxurious block of heavily marbled otoro. The camera glides parallel to the blade. Show the knife moving smoothly through the soft fatty tuna. The otoro flexes naturally and separates into one perfect slice. Warm light catches the pale pink marbling. Her elegant fingers hold the fish with absolute precision. Briefly reveal her eyes in the background, watching the blade with calm intensity. 0:02.0–0:04.0 — SHARI Cut to a tight close-up of her hands. She gently shapes a small portion of warm sushi rice in her palm. Her fingers move with practiced, delicate rhythm. The camera slowly circles around her wrist and fingertips. Her sleeve falls naturally around her arm. The movement should feel intimate and graceful. Rice grains remain individually visible and lightly compressed. 0:04.0–0:05.5 — WASABI Extreme macro. She applies a tiny amount of fresh wasabi to the underside of the otoro. The camera tracks beneath her fingertips. Her motions are very slow, precise, and confident. The polished wooden counter and warm restaurant lights blur beautifully in the background. 0:05.5–0:08.0 — NIGIRI SHAPING She places the otoro onto the rice and begins shaping one piece of nigiri. Close shot of her hands, with her lower face and lips softly visible above them. The camera moves slowly from her fingertips upward toward her face, then returns to the nigiri. She applies delicate pressure with both hands. The tuna softly drapes over the rice. Her gaze remains focused and composed. A subtle, knowing expression creates elegant sensual tension. No looking directly into the camera yet. 0:08.0–0:09.5 — NIKIRI Extreme food macro. She brushes a thin layer of nikiri soy glaze across the otoro once. The glossy surface catches the warm light. One smooth brush stroke only. The marbling becomes richer and more luminous. 0:09.5–0:11.5 — PLATING Low-angle product shot. She places the finished otoro nigiri onto a dark stone plate. The camera follows the sushi downward. Her fingertips linger beside the nigiri for only a brief natural moment before withdrawing. The food remains the main focus. Show: glossy otoro pale marbling perfectly shaped rice subtle nikiri sheen 0:11.5–0:13.5 — CHEF REVEAL The chef lifts the nigiri delicately between her fingers. The camera starts close on the sushi and slowly pulls back to reveal her face. She now looks toward the camera for the first time. Her gaze is calm, confident, and quietly seductive. Soft amber light shapes her cheekbones, eyes, lips, and jawline. She brings the nigiri slowly toward herself. 0:13.5–0:16.5 — ELEGANT BITE Tight cinematic close-up. She brings the otoro nigiri to her lips. Her eyes soften slightly. She opens her mouth only for the physical bite and eats the entire nigiri naturally in one elegant motion. Show subtle deformation of the soft tuna and rice as she bites. No exaggerated licking. No unnecessary mouth movement. The moment should feel intimate, luxurious, and sensual without becoming vulgar. 0:16.5–0:18.5 — TASTING REACTION Stay very close on her face. She chews slowly and silently. Her eyelids lower slightly as she enjoys the richness of the otoro. A subtle satisfied breath through the nose. Her expression softens. Then a restrained, confident smile begins to appear. Do not exaggerate the reaction. 0:18.5–0:20.0 — FINAL LOOK The camera makes a slow final push toward her face. She raises her eyes and gives the camera one quiet, alluring look. A tiny satisfied smile remains on her lips. Warm restaurant lighting glows behind her. The sushi knife, wooden counter, dark stone plate, and elegant omakase setting remain softly visible in the background. End on her calm, beautiful expression. The final feeling should communicate: luxury, mastery, intimacy, sensuality, and exceptional taste. CHARACTER CONSISTENCY Keep exactly the same adult woman from the reference image throughout the full 20 seconds. Do not change: face hairstyle skin tone body proportions chef clothing sash makeup eye shape overall identity No face drift. No wardrobe changes. No switching to another chef. SENSUAL PERFORMANCE The chef’s sensuality should come from: elegant posture graceful wrists controlled finger movements subtle breathing restrained eye contact soft eyelid movement glossy lips slow head movement quiet confidence subtle satisfied smile Avoid exaggerated seduction. Avoid cartoonish expressions. Avoid overt sexual behavior. The overall tone is luxurious adult elegance. FOOD PHYSICS Maintain believable: tuna softness marbling knife resistance rice compression fish draping over rice nikiri gloss bite deformation No duplicated sushi. No magically appearing ingredients. No repeated preparation steps. No impossible food behavior. CAMERA STYLE Premium luxury food-film cinematography. Use: blade-level macro fingertip close-up rice macro face-and-hands composition slow lateral tracking shallow depth of field elegant push-ins intimate tasting close-up final face push-in Camera movement should remain smooth, slow, controlled, and expensive-looking. LIGHTING Ultra-luxury omakase lighting. Use: warm amber key light soft side light controlled shadow subtle gold highlights dark background separation Emphasize: eyes lips skin hands tuna marbling nikiri glaze polished knife hinoki wood Keep skin natural and textured. Avoid plastic skin. Avoid excessive beauty retouching. AUDIO No dialogue. Use only intimate synchronized restaurant sounds: knife slicing tuna soft knife contact on board rice handling subtle brush sound plate contact fabric movement faint room ambience soft bite subtle chewing No dramatic music. No cinematic booms. No artificial transition effects.

By@Ukiyo_il·SEP 29, 2026

View full prompt & copy — DOUBLE SMASH CHEESEBURGER / 20 SEC Use the uploaded reference image as the primary visual reference. Preserve the reference image’s character identity, face design, hairstyle, body proportions, clothing, accessories, dominant colors, rendering style, lighting style, and overall atmosphere throughout the entire video. If the reference is anime, keep the entire film anime. If it is chibi, preserve the chibi proportions. If it is photorealistic, keep premium live-action realism. If it is painterly, cel-animated, stylized 3D, graphic, or illustrated, preserve that same visual language consistently. Create a 20-second fast-paced premium food commercial showing one continuous forward process of making a double smash cheeseburger. The same hero from the reference image prepares the burger from beginning to end. No dialogue. No presenter behavior. No unnecessary posing. The hero behaves like an expert cook: fast, confident, precise, physically believable. 0:00–0:01.2 — BEEF IMPACT Two raw beef balls are already falling toward a screaming-hot flat-top griddle. Start with an extreme low-angle camera almost touching the hot steel. The camera rapidly retreats backward as the two beef balls fall toward it. Both hit the griddle almost simultaneously with heavy physical weight. Hot fat immediately spits outward. Strong sizzling begins. No establishing shot. Action begins on the first frame. 0:01.2–0:02.7 — DOUBLE SMASH Immediately smash both beef balls into thin patties. True 90-degree overhead camera. The metal press strongly compresses the first beef ball against the griddle, then moves directly to the second as one uninterrupted action. Show the meat physically spreading outward under pressure. The edges become thin, rough, and irregular. Do not smash either patty again later. Fast, aggressive cooking rhythm. 0:02.7–0:04.0 — CRUST MACRO Extreme macro at griddle level. Rendered beef fat bubbles violently around the paper-thin edges. Show the meat visibly changing from raw red to deep brown as a crisp crust develops. Tiny droplets of fat jump from the surface. Very short compressed-time transformation. The food texture should be extremely appetizing. 0:04.0–0:05.3 — SCRAPE AND FLIP A sharp metal spatula scrapes beneath the first patty. Camera tracks directly beside the spatula edge as it releases the browned crust from the steel. The hero rapidly flips the first patty, then the second. Brief slow-motion accent only at the first flip apex. Both patties land cooked-side-up. Keep the movement compact and physically realistic. 0:05.3–0:06.6 — CHEESE Two cheese slices land directly onto the hot patties. Use a fast top-down shot transitioning into extreme macro. The cheese immediately softens from the heat. Corners begin folding naturally over the rough patty edges. Steam rises between the meat and cheese. 0:06.6–0:07.8 — MELT + HEAT Ultra-macro close-up. Molten cheese becomes glossy and slowly drapes over the patties. Rendered beef juice beads along the crisp edges. Move the camera through thin layers of steam toward the melting cheese. A small, brief flame flickers near the griddle edge from hot rendered fat. The flame must be physically caused by the cooking process. No explosion. 0:07.8–0:09.2 — DOUBLE STACK Low camera at patty level. The spatula lifts one cheese-covered patty. Follow it upward. The hero places it directly onto the second cheese-covered patty. The patties compress slightly on contact. Molten cheese folds between both meat layers. Small beads of meat juice appear along the edges. This is a major food spectacle moment. 0:09.2–0:10.7 — SAUCE + BOTTOM BUN Cut to a toasted bottom bun already waiting at the assembly station. Strict overhead framing. Apply one controlled spiral of burger sauce. Immediately place the hot double-cheese patty stack onto the bun. The sauce compresses slightly underneath the meat. Do not add sauce again. 0:10.7–0:12.0 — TOPPINGS Quickly add pickles and finely sliced onion. Each topping is added once. The camera skims rapidly across the work surface following the ingredients toward the burger. Finish with the toasted top bun entering frame. 0:12.0–0:13.3 — FINAL PRESS The top bun lands onto the burger. Tight food-level close-up. The hero performs one controlled downward press with the palm. The burger compresses naturally. Molten cheese bulges slightly from between the two patties. A small amount of meat juice glistens along the edges. The soft toasted bun rebounds slightly after pressure is released. Do not open or rebuild the burger afterward. 0:13.3–0:15.2 — HERO + BURGER REVEAL The hero lifts the completed double smash cheeseburger. Start extremely close to the burger. Show: deeply browned crispy patty edges, two thin beef layers, molten cheese between them, glossy burger sauce, pickles and onion, soft toasted bun, subtle steam. Slowly pull backward and upward until the same hero from the reference image is clearly visible behind the burger. Keep the burger dominant in the foreground. 0:15.2–0:16.7 — BEAUTY MOMENT Short cinematic food beauty shot. Orbit approximately 30 degrees around the burger while the hero holds it naturally with both hands. Warm steam rises. Molten cheese remains soft. Do not make the burger unrealistically perfect. Keep irregular crispy meat edges and believable food texture. The hero looks at the burger with natural anticipation rather than looking at the camera. 0:16.7–0:18.3 — BIG BITE The hero brings the burger naturally toward the mouth and takes one large, satisfying bite. Use a medium-close shot. The mouth opens only for the physical bite. The teeth compress the soft bun, melted cheese, and double patties. The burger visibly deforms under the bite. A small strand of melted cheese stretches naturally from the bitten section. Do not create an exaggerated infinite cheese pull. The hero pulls the burger away after the bite. The fresh bite mark clearly reveals the double patty and molten cheese interior. 0:18.3–0:20.0 — DELICIOUS FINAL REACTION Stay close on the hero and burger. The hero chews naturally and silently. No talking. No exaggerated cartoon reaction. The eyes soften slightly and the expression becomes genuinely pleased. A restrained satisfied smile appears after chewing. The hero briefly looks down at the burger as if impressed by how good it tastes. The camera makes a gentle final push toward the bitten burger. End with the burger in sharp foreground focus, showing: fresh bite cross-section two browned beef patties molten cheese toasted bun glossy sauce tiny beads of meat juice gentle steam The satisfied hero remains softly visible behind it. Hold the final image briefly. The ending should communicate purely through performance: “This is extremely delicious.” CONTINUITY LOCK Maintain one continuous forward cooking process: raw beef → smash → crust formation → flip → cheese → melt → double stack → sauce → toppings → bun → final press → lift → bite → satisfied reaction. Never return to an earlier cooking stage. Never: create extra patties smash the patties twice flip the patties twice add cheese twice reapply sauce rebuild the burger replace the finished burger with a visually different burger remove the bite mark after the hero bites it After the bite, the exact same burger must retain the visible bite mark until the final frame. CHARACTER CONSISTENCY Keep the same character from the reference image throughout all shots. Preserve: face, eyes, hair, body proportions, clothing, accessories, color palette, art style. Do not gradually change the character into another design. If the reference is stylized or chibi, do not convert the character into realistic human proportions. FOOD PHYSICS Maintain believable: gravity, meat weight, pressure, friction, heat, fat rendering, steam, cheese melting, bun compression, bite deformation. No floating ingredients. No teleportation. No spontaneous food assembly. No duplicated ingredients. No magical fire. No impossible cheese elasticity. CAMERA STYLE Fast premium food-commercial cinematography. Use strong variation: griddle-level macro → true overhead → extreme texture macro → spatula tracking → flip angle → cheese macro → steam-layered close-up → low stacking shot → overhead assembly → work-surface tracking → compression macro → hero reveal → short product orbit → eating close-up → final bitten-burger push-in. Every camera move must have a clear physical path. Avoid random camera shaking. LIGHTING Adapt the lighting style to the uploaded reference image while keeping the burger extremely readable and appetizing. Emphasize highlights on: crispy beef crust rendered meat fat molten cheese steam glossy sauce toasted bun fresh bite cross-section Keep lighting direction coherent throughout the film. AUDIO No dialogue. Use synchronized cooking and eating sounds only: beef hitting hot steel intense sizzling metal press contact spatula scraping patty landing cheese sizzling brief flame crackle burger assembly bun compression soft bite crunch subtle chewing No narration. No cinematic booms. No artificial risers. No unrelated transition sound effects.

By@rafalors·MAY 10, 2026

View full prompt & copy A vertical cinematic video of a Y2K cyber aesthetic album cover poster slowly coming alive. The chrome metallic elements begin rotating and floating — CDs spinning slowly catching rainbow holographic light, chrome tubes shifting fluidly, metallic spike elements rotating subtly. The Windows XP error and play dialog boxes flicker and glitch with static. The extreme close up eye banner blinks slowly and deliberately. The holographic light leaks pulse and shift colors softly in the background — pink to blue to silver. Chrome sparkle stars twinkle. The flip phone screen briefly lights up. The user's main photo breathes subtly — a slight confident head tilt. The chrome 3D title text pulses with a metallic sheen sweep. Everything moves independently at slightly different speeds creating a layered parallax depth effect. The overall mood is cool, editorial, and deeply Y2K cyber. Silver and holographic color grade throughout. 3:4 8k resolution vertical. 10 seconds.

By@kaanakz·OCT 5, 2026

View full prompt & copy [Generation Goal] Generate a vertical 9:16 cinematic commercial video in one continuous locked-off take. The core subject is a man who remains seated and stoic while a black rugged off-road SUV launches over him and lands behind him, with a thick dust cloud engulfing the frame before settling.[Reference Asset Roles] image-ref, is used only for the man's facial features, short curly brown hair, blue eyes, skin texture, and overall likeness. Do not use the navy suit, white shirt, or blue patterned tie from the image; replace the clothing completely with the specified casual attire. [Subjects and Relationships] The man maps exclusively to image-ref, for face and head only. He wears an all-black casual jacket and trousers with sand/tan boots. He sits perfectly still in a small folding camp chair at the exact center of the field. There is one black rugged off-road SUV (Land Rover Defender / Ford Bronco-style with round LED headlights). The man never moves from his chair or changes posture except for the subtle hand and arm motions required to smoke. [Event Script] At the start: Ultra-low ground-level camera, static tripod, eye-level with the soil, symmetrical one-point perspective, centered medium-wide full-body framing. The man sits in the camp chair in the middle of a freshly plowed red-brown dirt field, stoic and deadpan, relaxed posture, hands resting on his lap. He holds a cigarette between his fingers and actively smokes throughout, taking slow casual drags and gently exhaling visible smoke. The black SUV appears far in the background at the end of the field. Principal event: The SUV charges toward the camera, kicking up a huge orange dust cloud. It launches airborne, wheels off the ground, and flies directly over the seated man and the camera. It lands behind him and brakes hard. A thick orange dust wall engulfs the frame; the truck stops inches behind the man with headlights blazing through the dust (strong bloom, lens flare, volumetric god rays). The dust slowly settles, revealing the truck parked right behind him with high beams still on; the man remains completely untouched and continues smoking. At the end: The truck and man are silhouetted as the frame slowly fades to black, leaving centered empty space for an end-card logo. [Maintain Consistency] Keep the man's identity and face from image-ref, all-black casual jacket and trousers with sand/tan boots, exact centered seated position, camp chair, continuous smoking action, single SUV, spatial relationships (truck always ends behind the man), and the continuous locked-off camera. Never allow the man to flinch, stand, or change expression beyond the subtle smoking motions. No clothing from the reference image may appear. LOCATION: Open agricultural farmland with rows of green crops on the horizon, power line on the left, overcast sky with soft clouds at the top of frame, golden hour. LIGHT: Low-angle golden hour sunlight diffused by dust and overcast clouds, soft contrasty natural light, strong backlight from the truck headlights (warm white, 5000K) cutting through dust, rim light on the man's silhouette, atmospheric haze, Tyndall effect, specular highlights on the truck body. COLOR GRADE: Teal-and-orange cinematic grade, saturated terracotta orange dust, deep red-brown soil, desaturated gray-blue sky, crushed blacks, rolled-off highlights, subtle film grain, slight vignette, high dynamic range. MOTION/FX: Practical dust and debris simulation, slight camera shake only at the moment of the jump/impact, 180° shutter motion blur on the truck, particles flying toward the lens. Heavy low-frequency engine roar and landing thud, then silence. Style: Hollywood car commercial, high-energy yet calm hero shot, hyper-realistic, sharp detail. Cinema camera with 24–35mm wide-angle lens, shallow-to-medium depth of field (~f/2.8), subject and truck sharp, background slightly soft with natural lens compression.

By@sebatheepan·SEP 28, 2026

View full prompt & copy Studio product commercial macro shot. A sleek matte-black cosmetic bottle with crisp, embossed gold foil serif typography reading exactly "AURORA" centered on the front label. The bottle rotates smoothly 45 degrees on a dark rotating pedestal. Warm directional rim lighting catches the metallic foil texture and sharp glass bevels. Shallow depth of field, 4K product cinematography, perfectly legible unchanging text, zero jitter.Duration: 5s

By@manibuildsAI·OCT 11, 2026

View full prompt & copy 0-4s: Macro slow-motion on the bottle. Her finger presses the atomizer, golden mist glitters in the fluorescent light. 4-9s: Mist drifts onto a concrete pillar. Where each droplet lands, peonies, wisteria and ranunculus burst open in time-lapse. Camera pushes in. 9-15s: Camera pulls back to a wide shot. The whole garage transforms: cars become mossy hills dotted with orchids, vines drop from the ceiling, petals float through the air. She walks calmly toward camera, coat stirring. 15-20s: She exits into daylight through a tunnel of blossoms. Cut to the bottle resting on a flower-covered pillar, soft focus background. Rich saturated colors against grey concrete.

By@shikoba_86·OCT 21, 2026

View full prompt & copy One continuous shot, no cuts. The camera starts inside the closed dark fridge, on the middle shelf. At 2 seconds the door opens, the light switches on, and the smiling young man reaches in and takes the can. Then the camera moves forward, never backward: it glides out through the open fridge door, passes over his shoulder as he turns away, and continues forward behind his back, following the can in his hand as he walks out of the quiet, dim kitchen, down a short hallway, the party music getting louder, and through a doorway into a different room: the crowded living room party with string lights. There he opens the can with a hiss, takes a sip and talks and laughs with the young woman. He sets the can down on the table; the camera pushes in to a close-up of the can as the party blurs behind it. The background darkens and glowing blue and violet light streaks sweep in with motion-design graphics, revealing "With you, frame by frame." and "KLING 4.0" around the can. CAMERA: one forward-moving tracking shot from inside the fridge to the table. The camera never pulls back and never stays inside the fridge after he takes the can. Sound: silence and fridge hum, the door opening, muffled party music growing through the hallway, full music in the living room, the can hissing open, laughter, then the music drops to a single deep bass hit as the graphic appears.

By@HBCoop_·OCT 20, 2026

View full prompt & copy A single bead of condensation runs down the can; the can slowly rotates a quarter turn as the magenta light behind it pulses once brighter and settles; a fine mist of cold air rolls off the top. Camera locked. Product photography look held throughout. One continuous take.

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Open a platform that supports Kling 4.0, such as Wizstar, and paste the prompt in.
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FAQ

How do I put my own product into a Kling 4.0 commercial prompt?

Replace the product name and description, and upload a product photo where the prompt mentions a reference image. Keep the camera moves and the final packshot line, since those carry most of the ad’s look.

What kinds of ads do these Kling 4.0 product prompts cover?

Studio product rotations, macro liquid and food shots, automotive stunts and chases, luxury interiors, cooking spots, and UGC-style ads where a creator talks about the product to camera.

Can a Kling 4.0 product commercial include a voiceover or dialogue?

Yes. Several prompts here include a spoken line or a short drama before the reveal. Write the exact words in quotes, and add “No on-screen text” if you plan to place your own logo and copy in editing.