Kling 4.0 Comedy Prompts 18 prompts

Kling 4.0 comedy prompts with deadpan timing and absurd setups: a cat delivering pizza, bodybuilders doing rhythmic gymnastics, a capybara writing a dragon a parking ticket. Most are short, character-driven scenes where the joke lands in the last beat.

By@Strength04_X·OCT 2, 2026

View full prompt & copy Create an exactly 20 second ultra-realistic live-action comedy video, filmed as if recorded on an iPhone 18 Pro Max. Vertical 16:9, 1080×1920, 24fps.Everything must look like authentic real-world smartphone footage. The cat is a completely realistic domestic cat with natural fur, realistic anatomy, whiskers, eyes, paws, and believable movement. The cat wears only a realistic pizza-company delivery jacket. No pants, shoes, hat, or other clothing. SCENE 1 — 0.0–3.5s — PACKING THE PIZZA Inside a realistic neighborhood pizza shop. The cat stands at the preparation counter. The cat physically takes the freshly prepared pizza and places it into a pizza box. The cat then manually closes the pizza box. The cat picks up the closed pizza box and physically places it inside the pizza delivery bag. The cat then manually closes the delivery bag. Every action must be clearly visible and happen in the correct order. Pizza → pizza box → close pizza box → place box inside delivery bag → close delivery bag. Nothing appears or disappears automatically. SCENE 2 — 3.5–6.5s — SCOOTER AND DRIVING The cat carries the closed delivery bag to its scooter. The cat physically places the delivery bag onto the scooter, secures it, climbs onto the scooter, starts the engine, and rides away. Cut to a front-facing camera angle showing the cat and scooter driving toward the camera. The cat drives naturally through a realistic neighborhood road. The cat's face is normal and clean during the driving sequence. Natural iPhone handheld movement, autofocus, exposure changes, motion blur, realistic road movement, scooter engine and street ambience. SCENE 3 — 6.5–10.0s — ARRIVING AND TAKING THE PIZZA The cat arrives outside the customer's house. It stops the scooter and physically puts the scooter on its stand. The cat gets off and walks to the delivery bag. The cat manually opens the delivery bag, reaches inside, grips the closed pizza box, and physically pulls the pizza box completely out of the bag. The cat then closes the delivery bag. The cat carries the pizza box toward the customer's front door. As the cat approaches the house, clearly show a small amount of pizza sauce and a little melted cheese around its mouth, making it obvious that the cat has secretly eaten some pizza. The pizza residue must not appear suddenly. It must remain naturally visible. SCENE 4 — 10.0–12.0s — DOORBELL FIRST The cat reaches the front door while holding the pizza box. The door is completely closed. The cat raises its paw and physically presses the doorbell. Only after the doorbell is pressed, the customer opens the door. Strict order: Cat reaches closed door → cat presses doorbell → door opens. The door must NOT open before the bell is pressed. SCENE 5 — 12.0–14.5s — HANDING OVER THE PIZZA After the door opens, use a camera angle facing the cat from the customer's side. Do not show the customer's face or body. Only the cat should be visible. The cat holds the pizza box forward and says: Cat: "Here is your pizza." The cat physically hands the pizza box to the customer. The pizza box must visibly transfer from the cat's paws into the customer's hands. The pizza residue around the cat's mouth remains clearly visible. SCENE 6 — 14.5–17.0s — THE MISSING PIZZA Cut to the customer's POV. The customer is physically holding the same pizza box. The customer manually opens the pizza box. The cat is standing behind the open box and becomes naturally hidden by the box. Inside the box: - One pizza slice is missing. - Another remaining slice has a small realistic bite taken from it. - All other pizza remains physically present. - Nothing disappears during the shot. The customer looks shocked and says: Customer: "Where is my missing slice?" The customer manually closes the pizza box and looks toward the road. SCENE 7 — 17.0–20.0s — ESCAPE AND FLYING KISS The cat is already moving toward its scooter. The cat climbs onto the scooter, starts it, and physically rides away down the road. The customer runs out toward the road and shouts: Customer: "Stop! Stop!" The cat keeps riding farther away. While actively riding away, the cat turns its head back toward the customer and raises one paw, clearly making a flying-kiss gesture directly toward the customer. The flying kiss must happen mid-ride while the cat is moving away, not before riding away and not after stopping. The cat then faces forward and continues riding farther down the road. End naturally with the cat getting smaller in the distance while the customer remains on the road. STRICT PHYSICAL CONTINUITY Every action must happen physically and in logical order. Nothing may appear automatically. Nothing may disappear automatically. No teleportation, morphing, object replacement, duplicated objects, or sudden prop changes. The exact pizza box used in the shop must remain the same pizza box throughout the entire video. The exact delivery bag must remain the same bag throughout. The pizza must be physically packed into the box, the box physically placed into the bag, the bag physically placed on the scooter, the box physically removed from the bag, and the box physically handed to the customer. The door must remain closed until the cat physically presses the doorbell. The customer must physically open and close the pizza box. The missing pizza slice must simply not be present when the box is opened; it must not disappear during the shot. REALISM REQUIREMENTS - Exactly 20.0 seconds - 9:16 vertical - 1080×1920 - 24fps - iPhone 18 Pro Max realistic footage - Realistic domestic cat - Realistic fur and anatomy - Only pizza-company delivery jacket - Realistic scooter physics - Natural handheld camera movement - Natural autofocus and exposure - Realistic shadows and reflections - Realistic road and house - Natural environmental audio - No CGI appearance - No cartoon style - No animation - No exaggerated expressions - No extra limbs - No distorted paws - No morphing - No teleportation - No automatic object movement - No subtitles - No text overlays - No watermark

By@sebatheepan·OCT 2, 2026

View full prompt & copy Hi-Vis Construction Workers Synchronized Ribbon Gymnastics20s, 9:16, 4 cuts, ultra-realistic vertical spectator smartphone footage, bright natural daylight, native authentic outdoor site foley. No dialogue, narration, graphic overlays, titles, or subtitles. STYLE: Authentic handheld phone camera video at an active construction site, natural walking gait shake, raw exposure adjustments, crisp overcast daylight, flying mud droplet physics, genuine athletic weight and balance. CAST: MAC — massive, burly 40s construction worker, thick beard, yellow hard hat, neon-orange reflective safety vest, mud-stained blue denim dungarees, steel-toe work boots. Poised, graceful, completely stone-faced. DAVE — stocky 50s construction worker, neon-yellow safety vest, tool belt strapped around waist, hard hat, mud-splattered boots. Surprising flexibility, pointed steel-toe boots. CREW — group of four rugged site laborers leaning on shovels and pickaxes, watching intently with deadpan, serious admiration. PROPS: Active muddy dirt construction trench, giant yellow hydraulic excavator with bucket parked in the background, piles of gravel, two 6-meter-long bright iridescent magenta silk gymnastics ribbons mounted to wooden handles. PALETTE: Construction neon orange, high-vis neon yellow, wet earth clay brown, vibrant magenta silk ribbons, overcast sky grey. STORY: Two heavyweight construction laborers perform a deadpan, Olympic-standard synchronized rhythmic gymnastics routine in the middle of a muddy work site. BEATS: 0.0–5.0s | CUT 1, low-angle wide handheld: Mac and Dave glide forward in perfect unison through the mud, rhythmically twirling their long magenta ribbons into giant, flawless spiraling rings that flutter gracefully through the air. 5.0–10.0s | CUT 2, dynamic side tracking: Mac performs a surprisingly high, wide grand jeté leap directly across a deep open mud trench, landing on one muddy steel-toe boot while whipping the ribbon into an intricate vertical wave pattern without losing momentum. 10.0–15.0s | CUT 3, medium two-shot spin: Both workers pivot back-to-back at the center of the site, spinning on one boot while launching their ribbons high into the overcast sky, tracing giant magenta figure-eight ribbons overhead. 15.0–20.0s | CUT 4, wide hero finish: Both catch their ribbon sticks cleanly in leather work gloves and drop into a synchronized deep grand plié, one arm arched high over their hard hats in a dramatic finish; the crew in the background solemnly nods and delivers slow, respectful applause. Hold. AUDIO: Crisp fluttering and whipping whoosh of heavy silk ribbon slicing through wind at 2.5s and 8.0s, heavy squelching thud of steel-toe boots hitting wet mud, distant idling diesel excavator engine hum, solemn single handclaps from site crew. No music, no talking. NEGATIVE: Text, watermarks, timer overlays, digital score graphics, subtitles, cartoon faces, gliding floating feet, morphing vests, extra fingers, plastic mud, slow motion, cinematic Hollywood grading.

By@atlas_cloud_ai·SEP 30, 2026

View full prompt & copy An old man ranting about AI.

By@Dheepanratnam·OCT 15, 2026

View full prompt & copy SCENE: Busy Oxford Street, London, grey overcast afternoon. A TikTok-style street interview. A young male interviewer (off-camera except his hand and fluffy branded mic) stops [Subject 1], an elderly woman with a towering lavender beehive, gold-rimmed glasses, gold tooth, gold chains, black satin bomber jacket, pinstripe baggy trousers and loafers. She is holding [Subject 2], a black cat, under one arm like a handbag.COMPOSITION: Vertical 9:16, medium close-up on [Subject 1], chest-up, mic entering from frame right. Shoppers and red buses blur past behind her. CAMERA: Handheld iPhone, slight jitter, natural micro-reframes, one quick autofocus hunt at 0:04, a small accidental tilt when a pedestrian bumps the interviewer at 0:17. LIGHT: Flat overcast daylight, slightly blown-out sky, realistic skin texture, no cinematic grading. TIMELINE: 0:00–0:03 Interviewer (British, upbeat): "Quick one! What's the secret to a long life?" 0:03–0:07 [Subject 1] looks him up and down, slowly lowers her glasses, gold tooth glinting. 0:07–0:13 [Subject 1] (raspy South London accent, deadpan): "Three things, darling. Never apologise, never pay full price, and never trust a man with a mic." 0:13–0:17 Interviewer laughs nervously: "Fair, fair... and the cat?" 0:17–0:22 [Subject 1]: "The cat's my lawyer." The cat stares directly into the lens, unblinking. 0:22–0:27 The cat calmly reaches out a paw and switches the mic off. Audio drops to muffled street noise only. 0:27–0:30 [Subject 1] winks at camera and walks off; the interviewer is left holding a dead mic. Cat looks back over her shoulder. AUDIO: Stereo street ambience: bus engines panning left to right, footsteps, distant busker. Dialogue crisp and lip-synced, close-mic quality. Hard audio dropout at 0:22 when the mic goes dead, then only ambient street sound. QUALITY: Photorealistic, authentic amateur phone footage, TikTok-native, natural motion, consistent character identity throughout, no subtitles, no text overlays, no music.

By@umesh_ai·OCT 11, 2026

View full prompt & copy Create a 15-second ultra-realistic cinematic video set inside a beautiful, ordinary family home on a peaceful Sunday morning. Use a two-perspective mystery-and-reveal storytelling technique. The first half must make viewers wonder, "How is that happening?" The second half must reveal the surprising, funny truth from above.0:00–0:07.5 | Perspective 1: Table-Level View (The Mystery) A fixed cinematic eye-level close-up of a wooden breakfast table inside a cozy, sunlit kitchen. A ceramic coffee mug and a small plate of toast sit on a linen table runner. Warm morning sunlight streams through the windows. Everything is completely still. Suddenly, the coffee mug begins moving very slowly across the table, seemingly by itself. The plate starts sliding too. There are no visible people, hands, or animals. The movement becomes increasingly strange as the mug inches toward the table's edge. At the last moment, the mug tips sideways, spilling coffee dramatically across the wooden surface. The camera captures the entire mysterious movement and spill within 7.5 seconds. The framing deliberately conceals whatever is causing the objects to move. 0:07.5–0:15 | Perspective 2: Overhead Aerial View (The Reveal) At exactly 7.5 seconds, HARD CUT to a breathtaking high-angle, bird's-eye perspective from near the kitchen ceiling, showing the entire breakfast table and surrounding floor. Time instantly resets to the exact beginning of the previous event. Now reveal the hilarious truth: A mischievous little golden retriever puppy is standing on the floor on the far side of the table, completely hidden from the original camera angle. The puppy has grabbed the loose, dangling end of the linen table runner in its mouth. As the puppy playfully walks backward, tugging the fabric, the coffee mug and toast plate begin sliding across the table. The puppy pulls harder, making the mug reach the edge and tip sideways, spilling coffee in exactly the same pattern as the first perspective. From above, viewers can clearly see the innocent puppy, the moving table runner, the sliding objects, and the complete chain reaction. What initially appeared mysterious is revealed to be an adorable everyday household accident. The entire sequence must replay with PERFECT temporal synchronization. The same initial stillness, first tug, sliding mug, moving plate, final tipping moment, and coffee spill must occur at identical relative timestamps in both perspectives. The second half ends at exactly 15 seconds. Visual Style: Ultra-photorealistic, cinematic natural morning sunlight, cozy realistic home interior, 4K detail, physically accurate object movement and liquid physics, natural puppy behavior, subtle household ambience, realistic ceramic clinking and coffee splashing, 16:9 widescreen. Strict Rules: Exactly two continuous shots, one per perspective. One hard cut at 7.5 seconds. No slow motion, narration, dialogue, captions, music, text, or additional cuts. Keep the puppy completely invisible during the first perspective. The first half must create genuine curiosity, while the second must deliver an instantly understandable, humorous reveal. The second perspective is an exact synchronized replay of the first event, never a continuation.

By@yourPlugAI·OCT 19, 2026

View full prompt & copy [ENGINE DIRECTIVE]Generate a continuous 30-second hyper-realistic live-action office/academic comedy sequence using Kling 4.0 at 120fps ultra-realism in 16:9 widescreen format. Maintain 100% strict visual consistency with provided asset sheets: "Director Kang-jun" (master chef in navy coat) and "Hye-soo" (clumsy student in flour-dusted apron). Setting strictly follows "High-End Culinary Art Academy Lab". Style: High-tension K-drama comedy, sharp whip-pans, snap-zooms, exaggerated physical freezes, dramatic shadow drops, synced comedic audio hits, dynamic subtitle overlays. [AUDIO DIRECTIVE] MUSIC: High-energy K-drama comedic track featuring rapid orchestral pizzicato strings, sudden brass drops, and frantic pots-and-pans percussion syncs. SOUND DESIGN: Loud metallic pots clanking, high-pitched sneaker slide screech, chef's clipboard SLAP, dramatic gong hit, liquid splash, sharp whip-pan WHOOSH, comedic record scratch. [TIMELINE BREAKDOWN] 00:00 - 00:03 | EXTREME CLOSE-UP HOOK & FLYING SPICES (SCROLL-STOPPING HOOK) VISUAL: Extreme macro snap-zoom onto Director Kang-jun’s twitching eye and twitching jaw. Sudden whip-pan 180 degrees to Hye-soo slipping on a stray piece of butter on the floor in slow motion. ACTION: Kang-jun stands rigidly with his clipboard, inspecting. Hye-soo trips over her own feet; her tray of spices and a squeeze bottle of dark reduction go flying into the air in hyper-slow motion toward an expensive, unfinished plating dish. DIALOGUE (HYE-SOO): Ah! Director!! Watch out!! SOUND: Comedic high-pitched screech, slow-motion bass drop, frantic brass swell, metallic clang. 00:03 - 00:07 | SLIDING CATCH & CRASH ON MARBLE VISUAL: Fast tracking camera following Hye-soo sliding across the stainless-steel prep table. ACTION: Hye-soo executes a desperate, clumsy slide across the counter, catching the falling sauce bottle mid-air, but landing face-first on a pastry board, sending a huge cloud of flour into the air. A spray of dark reduction splatters directly onto the center of Kang-jun’s pristine clipboard and sleeve. DIALOGUE (KANG-JUN): What... are you doing in my exam room? SOUND: Sliding THUD, loud flour POOF, sharp record scratch, dead silence beat. 00:07 - 00:12 | SNAP-ZOOM REACTION & SHADOW DROP VISUAL: Rapid three-stage snap-zoom on Kang-jun’s deadpan, unblinking face under a sudden dramatic shadow drop as he looks down at his splattered sleeve. ACTION: Kang-jun slowly adjusts his glasses with one finger, maintaining total silence. He reaches down, dips his finger into the chaotic splash of sauce that accidentally landed on his tasting spoon, and slowly tastes it. His eyes widen by a millimeter—the mistake created a spectacular, unplanned savory-sweet infusion. DIALOGUE (HYE-SOO - WHISPERING): Please, just don't fail me... SOUND: Sharp camera shutter CLICK-CLICK-CLICK, dramatic choir chant hit, sizzle of a pan. 00:12 - 00:18 | THE WHIP-PAN INTERROGATION VISUAL: Whip-pan camera movement back and forth between Kang-jun leaning down over the table and Hye-soo lying flat on her belly, clutching the squeeze bottle. ACTION: Kang-jun slams his hands on the counter, leaning inches from her flour-sputtered face. His expression is terrifyingly intense, but his eyes are fixed purely on the sauce. DIALOGUE (KANG-JUN): This sauce ratio... how did you think of this? DIALOGUE (HYE-SOO): Huh? It just... mixed when I fell... SOUND: Heavy counter SLAM, low bass rumble, high pizzicato tension strings. 00:18 - 00:24 | EXAGGERATED FREEZE & CLASS STUN VISUAL: Dynamic low-angle wide shot. High-contrast lighting flashes as the entire background student team in the kitchen freezes in over-the-top shock. ACTION: Kang-jun suddenly lifts the spoon and his clipboard into the air, turning sharply toward the evaluation board with an epic, serious posture, pointing dramatically at Hye-soo. DIALOGUE (KANG-JUN): She’s a genius. This student gets the highest score in history! SOUND: Triumphant K-drama orchestra hit, audience gasps, thunderous comedic sting. 00:24 - 00:30 | ABSURD RESOLUTION & CHAOTIC FINISH VISUAL: Tracking hero shot moving backward as Kang-jun vigorously shakes Hye-soo's hand while she is still half-sprawled on the marble pastry table. ACTION: Kang-jun aggressively shakes her flour-coated hand with a deadpan, intense expression. Hye-soo, still on her belly holding the bottle, nods along in complete confusion as a rain of flour dust falls around them. DIALOGUE (KANG-JUN): Starting tomorrow, you are my head research assistant. DIALOGUE (HYE-SOO): What?! I just got here yesterday!! SOUND: High-energy comedic K-drama theme song playout, party horn sound, fast fade to black.

By@PromptSin·OCT 15, 2026

View full prompt & copy REFERENCE-ALIGNED PROMPT — KLING 4.0 (NOT FLASH) 20-second vertical 9:16 photorealistic cinematic absurdist comedy. Dorian Vane is a courier taking one impossible elevator journey. Strong immediate visual hook, physically readable interactions, escalating danger presented as fantasy comedy, deadpan ending.IDENTITY: Use 图片1 as the Dorian Vane identity and courier wardrobe reference, not as a collage to reproduce in the video. One consistent adult man with the exact reference facial structure, highlighted curly hair, turquoise pendant and earrings, a yellow courier polo with red shoulder panels and a small solid red circular badge beside bold black lettering reading exactly KLING 4, charcoal cargo trousers, brown work boots and a brown leather messenger bag. The brand is KLING 4 only; preserve the same KLING 4 lettering and uniform across all shots. The courier character sheet 图片1 is the sole identity and wardrobe authority for this generation; scene references guide composition and action. Keep his face recognizable through changing lighting and expressions. OBJECTS AND SET: One compact rectangular kraft cardboard parcel sealed with crossed black tape. One consistent brushed-steel elevator cabin with wide doors and warm overhead lighting. The parcel remains the same size and shape. The messenger bag stays attached to Dorian. A small touchscreen signature terminal begins inside the bag and appears only when he takes it out at the end. 0–5 SECONDS — OCEAN: Begin immediately in mid-struggle, matching the ocean hook image 图片2: doors already open to a deep-blue underwater world, Dorian braced in three-quarter view, both hands gripping the parcel while a gigantic octopus tentacle is already coiled around its opposite end, not around his body. No establishing shot or button pressing. He braces and pulls the parcel back. The tentacle releases and withdraws before the doors close. The floor and his clothes are already wet at the opening, as in 图片2. A brief surge adds splashes; retain this wet continuity thereafter. Clear grip, tension and release; no object teleportation. 5–11 SECONDS — REVERSED GRAVITY (图片3): A short elevator ding. The doors open onto a city whose cars and chunks of architecture are rising into the sky. Gravity reverses inside the cabin. Dorian rises with the parcel held against his chest, his bag and curls reacting consistently, until he is pressed against the ceiling. The open doorway and rising city remain spatially legible. The doors close. Normal gravity returns; he drops feet-first into a comic crouch with a splash, uninjured, still holding the parcel. 11–16 SECONDS — VOLCANO DELIVERY (图片4): He gets up. The doors open onto a tiny platform above an erupting volcano. Orange lava light and drifting ash enter the same wet cabin. A colossal volcanic-rock demon bends down to the doorway. Show its enormous scale against Dorian and the small parcel. It carefully accepts the parcel between two fingers. Dorian releases it only after contact is established. 16–20 SECONDS — DEADPAN PAYOFF: Medium close-up of the same soaked, ash-dusted Dorian with a clear unobstructed mouth. He takes a signature terminal from his messenger bag, holds it toward the giant recipient, looks up and says in natural English with dry professional resignation: "I need a signature." Accurate lip sync. Brief silent reaction from the demon. Cut immediately. CAMERA AND CONTINUITY: Purposeful cinematic cuts connecting each action clearly. Keep the elevator geography and screen direction stable. Establish the external world through the open doors, then move close enough to read Dorian's reaction. Show cause before consequence. No disconnected montage. Water persists after the ocean stop. Clothing stays wet. Ash appears only at the volcano. Do not reset character, cabin or parcel between stops. SOUND: Elevator hum and dings, deep underwater rumble, suction and splashing, rising wind and structural groans in the city, low volcanic rumble, final clear dry dialogue. Spatially coherent sound. Keep effects below the final spoken line. No narration, laugh track or music required. AVOID: Identity drift, duplicated Dorian, extra limbs, inconsistent jewelry, changing wardrobe, vanishing bag or parcel, broken grips, fused hands and props, unexplained teleportation, graphic injury, subtitles, text overlays, extra branding and end cards. Preserve the required KLING 4 costume lettering and red badge. REFERENCE ROLES: 图片1 identity and uniform; 图片2 opening ocean struggle and elevator; 图片3 reverse gravity city and floating pose; 图片4 volcano recipient and handover. Reference scenes are sequential, not a collage. Continue after 图片4 to signature dialogue. No PSS or VANE EXPRESS branding.

By@ImozemhePeniel·SEP 28, 2026

View full prompt & copy An Old British Woman Ranting about AI

By@NyaiiBubu·OCT 19, 2026

View full prompt & copy Photorealistic handheld smartphone footage, busy Indonesian roadside sidewalk, midday sun. The woman from @ image 1 (wild curly black hair with blue ribbons, pastel blue-pink frilly dress, ripped black tights, pink slippers) runs toward the camera with a naughty grin, holding one red apple in one hand and her baby doll in the other. Full body always visible and connected, natural running motion. Behind her, 8 Satpol PP officers in tan uniforms and black berets chase her. Playful chaos: a tray of gorengan flies, one officer slips and slides into plastic chairs, a beret lands on a dog, a tukang parkir blows a whistle, kids run alongside. Camera: front-facing tracking shot running backwards, her face sharp, chaos blurred behind. Audio: officers only shout "Woy, tunggu!", "Kejar!", crowd cheers, her soft sneaky "hehehe", upbeat dangdut koplo 150 BPM. No violence, clean dry face, no drool. No animation, no cartoon, no CGI.

By@manibuildsAI·OCT 3, 2026

View full prompt & copy Bodybuilders doing rhythmic gymnastics: Oiled bodybuilders in sequined leotards twirl ribbons and hoops on a gym floor, one tosses a hoop 20 feet up and catches it on his flexed bicep to wild applause from a packed arena.

By@Alin_Reaper05·OCT 2, 2026

View full prompt & copy A photorealistic cinematic scene in a grand walnut-panelled library, late afternoon. An anthropomorphic red fox aristocrat wears a forest-green frock coat, a cream waistcoat and a carefully tied silk cravat. An elderly barn owl scholar stands beside a writing desk in a dark plum velvet jacket, with tiny spectacles resting above his beak. Warm window light catches individual strands of fur and delicate facial feathers. Begin in a medium two-shot as the fox confidently straightens his cuffs. He asks, “Would you describe me as a man of considerable intellect?” Cut to the owl’s close-up. After a thoughtful pause, the owl replies, “I would describe you as considerably well dressed.” The fox’s proud smile slowly fades in the blurred background. Understated British delivery, subtle expressions, believable animal anatomy, polished period-drama cinematography, gentle clock ticking, no subtitles.

By@AiwithBloodline·OCT 19, 2026

View full prompt & copy Ultra-realistic viral amateur smartphone footage, 20 seconds, filmed by an unseen pedestrian in bright daytime. Raw handheld phone camera, strong natural shake, accidental reframing, bad digital zoom, autofocus hunting, compression artifacts, wind on microphone, spontaneous laughter, authentic city noise. Absolutely no cinematic stabilization.Main subject: ONE enormous overweight fluffy cat riding a SMALL MOTORIZED CITY SCOOTER, not a kick scooter. The cat sits upright on the seat like a human commuter, front paws clearly resting on the handlebars, hind paws near the footboard. Completely serious expression, realistic fur moving in the wind. Camera operator: unseen adult speaking excitedly in ENGLISH. Busy sunny city street with café terraces, parked cars, pedestrians, crosswalk and traffic lights. 0-4s: Chaotic discovery Camera casually films the street, then suddenly jerks toward something approaching. FILMER: “Yo… YO! Is that a CAT on a scooter?!” Fast ugly digital zoom. 4-8s: Full reveal The giant fluffy cat rides past on the motor scooter, tiny scooter engine buzzing, paws firmly steering. Its belly almost touches the handlebars. FILMER starts laughing: “No way! Look at this dude!” 8-12s: Viral comedy beat The traffic light turns red. The cat calmly brakes and stops perfectly at the line beside a normal car. The driver looks over in total disbelief. The cat stares straight ahead like an exhausted commuter. FILMER: “HE STOPPED AT THE LIGHT!” 12-16s: Fun escalation A car behind gives a tiny horn beep. The cat turns its head slowly, annoyed, then presses the scooter horn with one paw: “BEEP BEEP.” FILMER completely loses it: “BRO HAS ROAD RAGE!” 16-20s: Perfect payoff Light changes. The cat twists the throttle and rides away confidently, fluffy tail blowing behind it. As it passes camera, it gives one dead-serious sideways glance. FILMER: “HE’S GOT PLACES TO BE!” Camera shakes from laughter and nearly points at the pavement. Hard cut. Clearly a motor scooter with seat, engine, handlebars and footboard, NOT a kick scooter, one cat only, believable scooter motion, realistic cat anatomy adapted naturally to riding posture, authentic amateur phone footage, spontaneous English reactions, strong comedic timing, photorealistic daylight, no text, no logos.

By@kraqvoid·SEP 29, 2026

View full prompt & copy 【最重要：セリフ】画像1の女の子が、次の日本語のセリフを一字一句そのまま、省略せず、最初から最後まで全部しゃべる。日本語の声、日本語の自然な発音、標準語のアクセント。中国語は一切禁止。読み方の注意：「お疲れ様（おつかれさま）」「頑張り（がんばり）」「社会人（しゃかいじん）」「基礎（きそ）」「以前（いぜん）」「同様（どうよう）」「指摘（してき）」「姿勢（しせい）」「もうせい」。セリフは約16秒かかるので、0.5秒目から17秒目まで、途中で止めずにずっとしゃべり続ける。セリフ：「いつもお疲れ様です。あなたの頑張りは認めますが、今回の件は社会人としての基礎が欠けていると言わざるを得ません。以前も同様の指摘をしましたが、私の言葉は届いていなかったのでしょうか。今後のためにも、ご自身の姿勢を、もうせいしてください。」このセリフ以外、誰も何もしゃべらない。字幕なし、画面に文字なし。音楽なし（BGMゼロ、効果音なし）。環境音は屋台の鉄板のジュージューいう音、遠くの人のざわめき、軒先からの雨だれ、18秒目のスクーターのエンジン音だけ。【背景・最重要】全カットの背景は、画像2の夜市そのもの。画像2の屋台、赤い提灯、裸電球の列、湯気、人の賑わい、濡れたタイルの路面を、全カットでそのまま使う。路地裏、狭い路地、建物の壁、シャッター、暗い裏通りは一切出さない。場所は最初から最後まで画像2の夜市の真ん中の通りで、別の場所に変わらない。【空間の配置・全カット共通で固定】夜市の通りの真ん中に、おじさん4人が横一列に並んで立つ。女の子はその正面に立ち、4人の方を向いている。女の子の背後にも、おじさん達の背後にも、画像2の屋台と提灯と電球の列が続いている。光は屋台の暖色の電球と提灯の赤、夜の青い濡れた光。配置と光の向きは全カットで変わらない。【人物】画像1の女の子：細い丸い金属フレームの眼鏡、黒髪のゆるいお団子、からし色の膝丈ナイロンのレインコート（スナップボタン、前ポケット2つ、前を開けて着る）、その下に黒っぽい服。衣装・髪型・眼鏡は最後まで変わらない。画像3のおじさん4人：画像3の顔と服装のまま、画像3のとおり横一列に並び、並び順は全カットで変わらない。4人とも腕を体の横に下ろし、棒立ちで無表情、集合写真のように硬い。【カット割り（20秒・ハードカット）】0〜8秒（カット1）：女の子の顔のアップ、斜め横（右斜め45度）から、固定。背景は画像2の夜市の屋台と提灯の灯りが大きくぼけて見える。この時点ではおじさん達は画面に映らない。女の子は誰かに向かって、小さな作り笑いのまま、落ち着いた早口で、息継ぎを最小限にしてセリフをしゃべり始め、しゃべり続ける。5秒目に右手の人差し指で眼鏡のブリッジを一度押し上げる。口の動きは日本語の音節に正確に合わせる。8〜11秒（カット2）：女の子の視線の先の切り返し。夜市の通りの真ん中に、おじさん4人が横一列に棒立ちで並んでいる引きの画。左右対称、腰の高さ、固定。背後は画像2の夜市の屋台と電球の列。4人は無表情で固まっている。女の子は画面下手前に後ろ姿の頭と肩だけ見え、この間も女の子の声でセリフが続いている。10秒目に左から2番目のおじさんだけがゆっくり一度まばたきする。11〜17秒（カット3）：カット1と同じ構図の女の子の顔のアップ。セリフの最後「ご自身の姿勢を、もうせいしてください」まで言い切り、16秒目に小さく会釈し、作り笑いのまま顔を上げる。17〜20秒（カット4）：カット2と同じ構図のおじさん4人の引き。沈黙。4人は固まったまま。背後の夜市の屋台の前を、スクーターが一台左から右へゆっくり横切る。【芝居】女の子は感情的にならず、丁寧で冷静、終始小さな作り笑い。声の大きさは普通、テンポは速い。おじさん達は一切動かず、言い返さない。【画作り】実写の映画。ARRI Alexa 35, vintage Zeiss Super Speed primes, Kodak Vision3 500T, fine grain, shallow depth of field, photorealistic skin pores and micro-expressions. 屋台の暖色の灯りと夜の青い濡れた光。カメラは全カット三脚固定、ズームなし、実時間、スローなし。

By@h64g_·SEP 29, 2026

View full prompt & copy 日本人女性、全て日本語で話す。完全なリップシンク。いきなりカボチャをバスケットボールにみたててドリブルを始める。ドリブルの先には3on3のバスケットゴールがありドリブルから華麗にダンクを決めようとするが高さがたりすそのまま着地する。恥ずかしくて辺りを見渡す女性。一匹のクロネコがそれを目撃していた。ニヤリと笑うクロネコ。

By@PromptSin·OCT 19, 2026

View full prompt & copy 10-second vertical photoreal cinematic video from the attached first-frame scene. Preserve this exact CapyCop uniform, cap, brown fur and proportions, and this exact green-bronze dragon, same scale and parked position. CapyCop left, dragon head and front claw right. Wet dusk parking lot, sodium lamps, same light. 0-3s: Low nearly static shot. CapyCop glances at the two parking bays, makes a small deliberate mark on his notepad and places one plain blank ticket on the dragon front claw. 3-7s: Gentle push toward the same claw and face. Dragon opens one eye and exhales a small controlled puff of smoke, singeing only the outer edge of the ticket. CapyCop pauses calmly, entirely unharmed. Keep the ticket in place. 7-10s: CapyCop places a second clean blank ticket beside the first singed one, then turns away with complete seriousness. The dragon gives a weary sigh. End before a long walking cycle. Restrained motion and deadpan visual timing; no new camera angle unless necessary. Audio direction, for editing if not generated: pen scratch, paper, low breath, tiny singe hiss, final dragon sigh. No dialogue or music needed. Avoid new animals, duplicate dragon, changing uniform or cap, extra legs, human fingers, morphing paper, readable ticket text, flames, injury, subtitles, logos and watermark.

By@coffeeHTCG·OCT 16, 2026

View full prompt & copy 魚屋から魚を盗んで逃げていく猫のキャラクターそれを追う魚屋ギャラリーは微笑ましく見ている

By@kraqvoid·SEP 29, 2026

View full prompt & copy 【最重要：セリフ】画像1の女の子が、次の日本語のセリフを一字一句そのまま、省略せず、最初から最後まで全部しゃべる。日本語の声、日本語の発音。中国語は一切禁止。セリフは約17秒かかるので、1秒目から19秒目までずっとしゃべり続ける。セリフ：「通りすがりに失礼します。あなたの意見は一見正しそうですが、論理的に矛盾だらけです。そもそも、麺は茹でたてが一番という前提を無視して発言するのはいかがなものでしょうか。不快に思う人も多いと思うので、一度ご自身の発信を見直された方がよろしいかと思います。」このセリフ以外、誰も何もしゃべらない。字幕なし、画面に文字なし。音楽なし（BGMゼロ）。環境音は鍋の湯気、雨だれ、遠くの路地のざわめきだけ。【場所】画像2の路地そのもの。左に赤い文字の大きな看板の麺屋、湯気の立つ大鍋、黒いTシャツに白いエプロンの中年の店主。右に理髪店のサインポールと小さな赤い祠。雨上がりの夜。【人物】画像1の女の子（細い丸眼鏡、ゆるいお団子髪、からし色の膝丈ナイロンのレインコート、衣装は最後まで変わらない）。店主とは知り合いではない、ただの通りすがり。【シーン】通りすがりの女の子が、なぜか麺屋の店主に丁寧に説教し、店主はぽかんと見ているだけ。0〜1秒：引き。女の子が路地を歩いてきて麺屋のカウンターの前でふと立ち止まり、店主の方を向く。1〜10秒：女の子のバストアップ（斜め、湯気越し）。小さな作り笑いで、落ち着いた早口でセリフをしゃべり続ける。途中で一度、指で眼鏡を押し上げる。口の動きはセリフに正確に合わせる。10〜14秒：店主の顔のアップ。お玉を持ったまま手が止まり、口を半開きにしてぽかんと女の子を見ている。画面外から女の子の声でセリフが続いている。14〜19秒：女の子のバストアップに戻り、セリフを最後まで言い切ってにっこり小さく会釈。19〜20秒：二人のツーショット、沈黙、鍋の湯気だけ。【画作り】実写の映画。ARRI Alexa 35, vintage Zeiss Super Speed primes, Kodak Vision3 500T, fine grain, photorealistic skin pores and micro-expressions. 店の電球の暖色と夜の路地の青い濡れた光。カメラ固定、実時間、スローなし。

By@obi_ai6193·OCT 15, 2026

View full prompt & copy [Shot1, 3s ] 水色のワンピースを着た女の子が、ロビンの隣にしゃがんで両手で優しく肩を支えている。心配そうに父親を見上げて話す。カメラはリリーの不安げな顔へゆっくりドリーイン。ロビンは静止したまま、光る目がわずかに点滅する。静かなサスペンス調のBGM。セリフ：「Daddy, something's wrong with Robin!」[Shot2, 3s ] 黄色い花柄のワンピースを着た母親が、心配そうにロビンを見下ろしながら身を乗り出す。突然何かを思い出したように眉を上げ、考え込むように話す。カメラは母親の顔のクローズアップへゆっくりプッシュイン。背景のキッチンには暖かい照明が灯っている。不穏なストリングスが静かに流れる。セリフ：「He's been acting strange lately.」 [Shot3, 3s ] ベージュのスーツを着た父親が突然目を大きく見開く。慌てて上半身を起こし、信じられないという表情でロビンを凝視する。カメラは父親の驚いた顔へ素早くドリーインし、タイトなクローズアップ。表情はますます緊迫していく。鋭いオーケストラの効果音が鳴り、その後一瞬の静寂が訪れる。セリフ：「Oh, no! It can't be!」 [Shot4, 3s ] 小さく光沢のあるオレンジ色のレトロロボット、ロビンが突然起動する。丸い目が明るく輝く。頭部を2回ぎこちなく機械的に動かし、非常に短い腕がわずかに震える。カメラはローアングルから光る目へゆっくりドリーイン。ロビンの元のデザイン、体の比率、アンテナ、腹部前面のパネル、極端に短い脚を完全に維持する。柔らかな電子音と陽気な完了チャイムが響く。セリフ：「Don't worry! Kling four point oh update complete!」 [Shot5, 3s ] 家族全員が突然喜びの笑い声を上げる。父親と母親が勢いよくハイタッチし、水色のワンピースを着たリリーとピンクのワンピースを着た妹も楽しそうにハイタッチする。ロビンは非常に短い機械の両腕を上げて喜び、丸い目が明るく輝く。カメラはワイドショットから緩やかにクレーンアップしながら後退。美しいレトロフューチャーなキッチンと夜の街並みを映し出す。1950年代の陽気なスウィングジャズが始まる。セリフ：「Hooray!」

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FAQ

How do Kling 4.0 comedy prompts set up the joke?

They play the scene straight and put the surprise at the end. The prompt describes a normal situation in detail, then a final beat where something absurd happens. Writing the reveal last keeps Kling 4.0 from showing it too early.

Can Kling 4.0 comedy prompts use animals as the main character?

Yes, many here do: cats, capybaras, puppies, foxes and owls. Describe the animal acting like a person, with a clear goal and one reaction shot, and keep the animal’s look the same across every shot.

Do Kling 4.0 comedy prompts include spoken lines?

Several do, including street interviews, rants and dialogue in Japanese. Put the exact line in quotes and say who speaks it. A short line with a pause before it usually reads funnier than a long one.